From the author of the multi-award-winning, National Book Awardlonglisted, vivid, fast, funny, way-smart, and verbally inventive (George Saunders) story collection Heads of the Colored People, comes a sly, spry, literary debut novel about the murder of an infamous moonshiner and the cacophony of true stories a small town can tell about itself.

Rich Milford is dead. At last.

We find ourselves in 1920s Oklahoma, just far enough out of Tulsa, just long enough after the Race Massacre of 1921. For as long as anyone can remember, the Milfords have led plentiful lives on the backs of the townspeople of Newville. Now, on the ominous brink of the Great Depression and at the height of Prohibition, Richard Milford was an infamous moonshiner and womanizer who, it seems, finally crossed the wrong person at the wrong time. Hes dead and buried with only his women to mourn him, but a question remains: Who killed him, and why?

Top suspects are his four wives, Lally, Sophronia, Georgette, and Vivianne. But as their stories burst to light, the very idea of a true story comes apart before our eyes.

In an electric follow-up to her acclaimed debut collection, Nafissa Thompson-Spires once again serves up a brilliant distillation of front-of-mind happeningsthink, cults of personality, capitalism run amok in politics, and rampant societal distruststructured like a stupefying line dance. In her uniquely powerful, humorous manner, Thompson-Spires takes on the interdependent clash of the traditional and the newfangled in this gobsmackingly excellent novel.

From the author of the multi-award-winning, National Book Awardlonglisted, vivid, fast, funny, way-smart, and verbally inventive (George Saunders) story collection Heads of the Colored People, comes a sly, spry, literary debut novel about the murder of an infamous moonshiner and the cacophony of true stories a small town can tell about itself.

Rich Milford is dead. At last.

We find ourselves in 1920s Oklahoma, just far enough out of Tulsa, just long enough after the Race Massacre of 1921. For as long as anyone can remember, the Milfords have led plentiful lives on the backs of the townspeople of Newville. Now, on the ominous brink of the Great Depression and at the height of Prohibition, Richard Milford was an infamous moonshiner and womanizer who, it seems, finally crossed the wrong person at the wrong time. Hes dead and buried with only his women to mourn him, but a question remains: Who killed him, and why?

Top suspects are his four wives, Lally, Sophronia, Georgette, and Vivianne. But as their stories burst to light, the very idea of a true story comes apart before our eyes.

In an electric follow-up to her acclaimed debut collection, Nafissa Thompson-Spires once again serves up a brilliant distillation of front-of-mind happeningsthink, cults of personality, capitalism run amok in politics, and rampant societal distruststructured like a stupefying line dance. In her uniquely powerful, humorous manner, Thompson-Spires takes on the interdependent clash of the traditional and the newfangled in this gobsmackingly excellent novel.

From the author of the multi-award-winning, National Book Awardlonglisted, vivid, fast, funny, way-smart, and verbally inventive (George Saunders) story collection Heads of the Colored People, comes a sly, spry, literary debut novel about the murder of an infamous moonshiner and the cacophony of true stories a small town can tell about itself.

Rich Milford is dead. At last.

We find ourselves in 1920s Oklahoma, just far enough out of Tulsa, just long enough after the Race Massacre of 1921. For as long as anyone can remember, the Milfords have led plentiful lives on the backs of the townspeople of Newville. Now, on the ominous brink of the Great Depression and at the height of Prohibition, Richard Milford was an infamous moonshiner and womanizer who, it seems, finally crossed the wrong person at the wrong time. Hes dead and buried with only his women to mourn him, but a question remains: Who killed him, and why?

Top suspects are his four wives, Lally, Sophronia, Georgette, and Vivianne. But as their stories burst to light, the very idea of a true story comes apart before our eyes.

In an electric follow-up to her acclaimed debut collection, Nafissa Thompson-Spires once again serves up a brilliant distillation of front-of-mind happeningsthink, cults of personality, capitalism run amok in politics, and rampant societal distruststructured like a stupefying line dance. In her uniquely powerful, humorous manner, Thompson-Spires takes on the interdependent clash of the traditional and the newfangled in this gobsmackingly excellent novel.