Nicolás Fernández-Medina is Professor of Modern Spanish Literature, Dept. of Romance Studies, Boston University. He specializes in late eighteenth- to early twentieth-century Spanish literature, philosophy, and culture. His books include Life Embodied: The Promise of Vital Force in Spanish Modernity (2018), Modernism and the Avant-garde Body in Spain and Italy (co-edited, 2016), and The Poetics of Otherness in Antonio Machado’s ‘Proverbios y cantares’ (2011). He is currently working on a monograph titled Raising the Dead: The Science and Literature of Resuscitation in Spain. He is also General Managing Editor of Brill’s A Cultural History of the Avant-Garde in the Iberian Peninsula (4 vols.)

Nicolás Fernández-Medina is Professor of Modern Spanish Literature, Dept. of Romance Studies, Boston University. He specializes in late eighteenth- to early twentieth-century Spanish literature, philosophy, and culture. His books include Life Embodied: The Promise of Vital Force in Spanish Modernity (2018), Modernism and the Avant-garde Body in Spain and Italy (co-edited, 2016), and The Poetics of Otherness in Antonio Machado’s ‘Proverbios y cantares’ (2011). He is currently working on a monograph titled Raising the Dead: The Science and Literature of Resuscitation in Spain. He is also General Managing Editor of Brill’s A Cultural History of the Avant-Garde in the Iberian Peninsula (4 vols.)

Nicolás Fernández-Medina is Professor of Modern Spanish Literature, Dept. of Romance Studies, Boston University. He specializes in late eighteenth- to early twentieth-century Spanish literature, philosophy, and culture. His books include Life Embodied: The Promise of Vital Force in Spanish Modernity (2018), Modernism and the Avant-garde Body in Spain and Italy (co-edited, 2016), and The Poetics of Otherness in Antonio Machado’s ‘Proverbios y cantares’ (2011). He is currently working on a monograph titled Raising the Dead: The Science and Literature of Resuscitation in Spain. He is also General Managing Editor of Brill’s A Cultural History of the Avant-Garde in the Iberian Peninsula (4 vols.)