Born and raised in Guatemala City, Rodrigo Rey Rosa is the author of five collections of short stories and more than a dozen novels that have been published in sixteen languages. Among his works available in English are The Beggar’s Knife, The Pelcari Project (both translated by expatriate American author Paul Bowles), The Good Cripple, The African Shore, Human Matter, and Chaos: A Fable. Rey Rosa has been awarded Guatemala’s national literature prize, China’s Best Foreign Book Award, and, for his life’s work, the prestigious José Donoso Prize in Chile.Stephen Henighan’s translations have twice been longlist finalists for the Best Translated Book Award and once for the International Dublin Literary Award. Henighan is the author of ten books of fiction, most recently the short story collection Blue River and Red Earth (2018) and the novel The World of After (2021).

Praise for The Country of Toó"When tasked with assassinating a friend, a Guatemalan gang enforcer flees to the Mayan countryside, where the struggle to keep community land from mining companies forces him to rethink his allegiances."—New York Times“No remark is casual, no scene a mere illustrative pass-through. Something we think is a minor event turns into a significant plot twist. It’s strange and uncomfortable, what appear to be fragmented events gradually coalesce with brilliant force, building toward the Cobra’s assassination assignment of Polo.”—NPR"The Country of Toó is ... about a lot of things, including political corruption and reform; a young man’s surreal recovery from a traumatic injury; and the moral crisis faced by a man known only as the Cobra, who has begun to feel the strain of years of working as a hired gun. Tonally, the work shifts from realistic to dreamlike and back again; the result is a complex reckoning with histories both personal and national."—Tobias Carroll, Brooklyn Rail"The Country of Toó is like little else you’ll read this year, and it’s another strong entry in its author’s impressive bibliography."—Words Without Borders"An appealing panorama of both the country and the different cultures and forces—from Mayan to global-capitalist—at work in it."—M.A. Orthofer, The Complete Review"Ably translated into English by Stephen Henighan, the narrative driven and distinctive storytelling style of novelist Rodrigo Rey Rosa raises The Country of Toó from a basic crime thriller to that of a work of literary excellence."—Midwest Book Review"A deep, satirically streaked dive into the violent culture of Guatemala."—Kirkus Reviews"Rey Rosa illuminates how an Indigenous culture is besieged by outsiders ... [and] leaves readers with plenty to chew on."—Publishers WeeklyPraise for Rodrigo Rey Rosa“Intense … By the end of this novel you feel glad to have come out on the other side and carry the hope that Rodrigo Rey Rosa, those close to him, and his fellow countrymen will do so, too.”—New York Journal of Books“Rodrigo Rey Rosa creates stories of mythic proportions.”—San Francisco Chronicle “[Human Matter's] exploration of the history of violence and secrecy in Central America has obvious relevance to today's politics, but the tale of a writer trying to understand the truth behind the things he's seeing gives the novel a resounding, universal echo.”—Vanity Fair“Rey Rosa, a Guatemalan writer often compared to Roberto Bolano … was inspired to write a meta-novel about his experiences [visiting Guatemala's National Police archive] and the stories he uncovered. The result … reads like the journal of a heartbroken researcher who stumbles on the darkest truths about his native country.”—Chicago Tribune“Wonderful … The tension between the fundamental pleasure of the novel—which comes from trying to piece together meaning out of the disparate information available to us and the narrator’s insistence that it’s futile—creates a weirdly gratifying reading experience.”—Chicago Review of Books“To read him is to learn how to write and is also an invitation to the pure pleasure of allowing oneself to be borne along by sinister or fantastic stories ... To say that Rey Rosa is the most rigorous writer of my generation, and at the same time the clearest, the one who weaves his stories together best, the most brilliant of them all, is not to say anything new.”—Roberto Bolaño

Born and raised in Guatemala City, Rodrigo Rey Rosa is the author of five collections of short stories and more than a dozen novels that have been published in sixteen languages. Among his works available in English are The Beggar’s Knife, The Pelcari Project (both translated by expatriate American author Paul Bowles), The Good Cripple, The African Shore, Human Matter, and Chaos: A Fable. Rey Rosa has been awarded Guatemala’s national literature prize, China’s Best Foreign Book Award, and, for his life’s work, the prestigious José Donoso Prize in Chile.Stephen Henighan’s translations have twice been longlist finalists for the Best Translated Book Award and once for the International Dublin Literary Award. Henighan is the author of ten books of fiction, most recently the short story collection Blue River and Red Earth (2018) and the novel The World of After (2021).

Praise for The Country of Toó"When tasked with assassinating a friend, a Guatemalan gang enforcer flees to the Mayan countryside, where the struggle to keep community land from mining companies forces him to rethink his allegiances."—New York Times“No remark is casual, no scene a mere illustrative pass-through. Something we think is a minor event turns into a significant plot twist. It’s strange and uncomfortable, what appear to be fragmented events gradually coalesce with brilliant force, building toward the Cobra’s assassination assignment of Polo.”—NPR"The Country of Toó is ... about a lot of things, including political corruption and reform; a young man’s surreal recovery from a traumatic injury; and the moral crisis faced by a man known only as the Cobra, who has begun to feel the strain of years of working as a hired gun. Tonally, the work shifts from realistic to dreamlike and back again; the result is a complex reckoning with histories both personal and national."—Tobias Carroll, Brooklyn Rail"The Country of Toó is like little else you’ll read this year, and it’s another strong entry in its author’s impressive bibliography."—Words Without Borders"An appealing panorama of both the country and the different cultures and forces—from Mayan to global-capitalist—at work in it."—M.A. Orthofer, The Complete Review"Ably translated into English by Stephen Henighan, the narrative driven and distinctive storytelling style of novelist Rodrigo Rey Rosa raises The Country of Toó from a basic crime thriller to that of a work of literary excellence."—Midwest Book Review"A deep, satirically streaked dive into the violent culture of Guatemala."—Kirkus Reviews"Rey Rosa illuminates how an Indigenous culture is besieged by outsiders ... [and] leaves readers with plenty to chew on."—Publishers WeeklyPraise for Rodrigo Rey Rosa“Intense … By the end of this novel you feel glad to have come out on the other side and carry the hope that Rodrigo Rey Rosa, those close to him, and his fellow countrymen will do so, too.”—New York Journal of Books“Rodrigo Rey Rosa creates stories of mythic proportions.”—San Francisco Chronicle “[Human Matter's] exploration of the history of violence and secrecy in Central America has obvious relevance to today's politics, but the tale of a writer trying to understand the truth behind the things he's seeing gives the novel a resounding, universal echo.”—Vanity Fair“Rey Rosa, a Guatemalan writer often compared to Roberto Bolano … was inspired to write a meta-novel about his experiences [visiting Guatemala's National Police archive] and the stories he uncovered. The result … reads like the journal of a heartbroken researcher who stumbles on the darkest truths about his native country.”—Chicago Tribune“Wonderful … The tension between the fundamental pleasure of the novel—which comes from trying to piece together meaning out of the disparate information available to us and the narrator’s insistence that it’s futile—creates a weirdly gratifying reading experience.”—Chicago Review of Books“To read him is to learn how to write and is also an invitation to the pure pleasure of allowing oneself to be borne along by sinister or fantastic stories ... To say that Rey Rosa is the most rigorous writer of my generation, and at the same time the clearest, the one who weaves his stories together best, the most brilliant of them all, is not to say anything new.”—Roberto Bolaño

Born and raised in Guatemala City, Rodrigo Rey Rosa is the author of five collections of short stories and more than a dozen novels that have been published in sixteen languages. Among his works available in English are The Beggar’s Knife, The Pelcari Project (both translated by expatriate American author Paul Bowles), The Good Cripple, The African Shore, Human Matter, and Chaos: A Fable. Rey Rosa has been awarded Guatemala’s national literature prize, China’s Best Foreign Book Award, and, for his life’s work, the prestigious José Donoso Prize in Chile.Stephen Henighan’s translations have twice been longlist finalists for the Best Translated Book Award and once for the International Dublin Literary Award. Henighan is the author of ten books of fiction, most recently the short story collection Blue River and Red Earth (2018) and the novel The World of After (2021).

Praise for The Country of Toó"When tasked with assassinating a friend, a Guatemalan gang enforcer flees to the Mayan countryside, where the struggle to keep community land from mining companies forces him to rethink his allegiances."—New York Times“No remark is casual, no scene a mere illustrative pass-through. Something we think is a minor event turns into a significant plot twist. It’s strange and uncomfortable, what appear to be fragmented events gradually coalesce with brilliant force, building toward the Cobra’s assassination assignment of Polo.”—NPR"The Country of Toó is ... about a lot of things, including political corruption and reform; a young man’s surreal recovery from a traumatic injury; and the moral crisis faced by a man known only as the Cobra, who has begun to feel the strain of years of working as a hired gun. Tonally, the work shifts from realistic to dreamlike and back again; the result is a complex reckoning with histories both personal and national."—Tobias Carroll, Brooklyn Rail"The Country of Toó is like little else you’ll read this year, and it’s another strong entry in its author’s impressive bibliography."—Words Without Borders"An appealing panorama of both the country and the different cultures and forces—from Mayan to global-capitalist—at work in it."—M.A. Orthofer, The Complete Review"Ably translated into English by Stephen Henighan, the narrative driven and distinctive storytelling style of novelist Rodrigo Rey Rosa raises The Country of Toó from a basic crime thriller to that of a work of literary excellence."—Midwest Book Review"A deep, satirically streaked dive into the violent culture of Guatemala."—Kirkus Reviews"Rey Rosa illuminates how an Indigenous culture is besieged by outsiders ... [and] leaves readers with plenty to chew on."—Publishers WeeklyPraise for Rodrigo Rey Rosa“Intense … By the end of this novel you feel glad to have come out on the other side and carry the hope that Rodrigo Rey Rosa, those close to him, and his fellow countrymen will do so, too.”—New York Journal of Books“Rodrigo Rey Rosa creates stories of mythic proportions.”—San Francisco Chronicle “[Human Matter's] exploration of the history of violence and secrecy in Central America has obvious relevance to today's politics, but the tale of a writer trying to understand the truth behind the things he's seeing gives the novel a resounding, universal echo.”—Vanity Fair“Rey Rosa, a Guatemalan writer often compared to Roberto Bolano … was inspired to write a meta-novel about his experiences [visiting Guatemala's National Police archive] and the stories he uncovered. The result … reads like the journal of a heartbroken researcher who stumbles on the darkest truths about his native country.”—Chicago Tribune“Wonderful … The tension between the fundamental pleasure of the novel—which comes from trying to piece together meaning out of the disparate information available to us and the narrator’s insistence that it’s futile—creates a weirdly gratifying reading experience.”—Chicago Review of Books“To read him is to learn how to write and is also an invitation to the pure pleasure of allowing oneself to be borne along by sinister or fantastic stories ... To say that Rey Rosa is the most rigorous writer of my generation, and at the same time the clearest, the one who weaves his stories together best, the most brilliant of them all, is not to say anything new.”—Roberto Bolaño