History of Violence

Living and Dying in Central America

Häftad, Engelska, 2017

123 kr

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Beskrivning

El Salvador and Honduras have had the highest homicide rates in the world over the past ten years, with Guatemala close behind. Every day more than 1,000 people-men, women, and children-flee these three countries for North America. Óscar Martínez, author of The Beast, named one of the best books of the year by the Economist, Mother Jones, and the Financial Times, fleshes out these stark figures with true stories, producing a jarringly beautiful and immersive account of life in deadly locations.Martínez travels to Nicaraguan fishing towns, southern Mexican brothels where Central American women are trafficked, isolated Guatemalan jungle villages, and crime-ridden Salvadoran slums. With his precise and empathetic reporting, he explores the underbelly of these troubled places. He goes undercover to drink with narcos, accompanies police patrols, rides in trafficking boats and hides out with a gang informer. The result is an unforgettable portrait of a region of fear and a subtle analysis of the North American roots and reach of the crisis, helping to explain why this history of violence should matter to all of us.

Produktinformation

Utgivningsdatum:2017-04-11
Mått:130 x 193 x 23 mm
Vikt:340 g
Format:Häftad
Språk:Engelska
Antal sidor:288
Förlag:Verso Books
Medarbetare:JonLee Anderson
ISBN:9781784781712
Översättare:Daniela Maria Ugaz, John Washington

Utforska kategorier

Amerikas historia inom Historia och arkeologi

Mer om författaren

Óscar Martínez writes for ElFaro.net, the first online newspaper in Latin America. His first book, The Beast, was named one of the best books of the year by the Economist and the Financial Times. In 2008, Martínez won the Fernando Benítez National Journalism Prize in Mexico, and in 2009, he was awarded the Human Rights Prize at the José Simeón Cañas Central American University in El Salvador.

Recensioner i media

Martínez dives into the underworld of his subjects, navigating barrios that police won't enter, spending days and nights with gang members. His methods resemble war reporting and his prose is cinematic . The collection's strength lies in his ability to write the hell out of his material. Like Katherine Boo's Behind the Beautiful Forevers and Adrian Nicole LeBlanc's Random Family, it skimps on statistics and analysis, instead relying on description alone to create a world that captures the reader and doesn't let her go. One of the stories, 'El Niño Hollywood's Death Foretold,' evokes Gabriel García Márquez's Chronicle of a Death Foretold. Like the beloved Colombian writer, Martínez pens scenes that are suspenseful, moving, and vivid.