This 10-year project, createdas he meanders across the vast country, is a personal and timely exploration of both the Americancultural and physical landscape, and the divergence of reality and myth.‘For as long as I can remember I’ve wanted to explore America, an ambition fueled by a legion ofTV shows that crossed the Atlantic in the 1960s,” he writes. “As a young and impressionable child Idevoured The Man from U.N.C.L.E. and The Fugitive, but it was the westerns, evoking a landscapealtogether removed from the congested English suburbs surrounding me, that I loved most...Ibegan – although I may not have realised it at the time – to subconsciously search for the Americawhich lived in my imagination, the one generated during childhood, the one that had probablynever existed at all.’The photographs in this series of books are organised neither by geography nor by subject. GoodMorning, America (Volume III) continues to draw on photographs made at the beginning of theproject in 2012, alongside the more recent photographs shot over the past year.