Brian McAuley’s debut novel, Curse of the Reaper, was named one of the Best Horror Books of 2022 by Esquire. His holiday slasher novella, Candy Cain Kills, earned praise from Kirkus Reviews for its “sublimely drawn characters,” some of whom survived for the sequel, Candy Cain Kills Again: The Second Slaying. His next novel, Breathe In, Bleed Out, is out now from Poisoned Pen Press. As a WGA screenwriter, Brian has written everything from family sitcoms (Fuller House) to horror films (Dismissed). He teaches as a Clinical Assistant Professor of Screenwriting at ASU’s Sidney Poitier New American Film School. Connect with him on social media @BrianMcWriter.

In Praise of CURSE OF THE REAPER"McAuley excels at balancing the psychological against the supernatural, but he’s even better at satirizing the Hollywood machine. The author puts his experience of the screenwriting game to good use in a biting commentary on horror fandom, franchise culture, and thespian hubris. You’re never sure whether to root for Howard as a bastion of standards in a degraded creative industry or to pity him as a man whose self-regard is at odds with his body of work. Curse of the Reaper is a very funny book with some of the best “bad scriptwriting” ever committed to page. But when McAuley turns to horror in earnest, he goes hard." Esquire (Best Horror Novels of 2022)"At times deliriously fun and delightfully gory. Its blood-filled heart, however, is its main characters and their personal struggles. Both actors, in their own ways, strain under the unrelenting pressure of others’ expectations. To give the Reaper life, McAuley shares snippets of fictional movie screenplays that show the Reaper is just as deadly and entertaining as Jason or Freddy. This book is a must for fans of the slasher genre, but it also offers a sickle-sharp critique of the expendability of actors fed into the Hollywood machine." —Library Journal“Curse of the Reaper is the best kind of horror—one that’s equal parts psychological nightmare and bone-crunching bloodshed. McAuley’s novel is a grim amalgam, retelling the inner-struggle of a modern day Jekyll and Hyde and blending it (on high!) with every great 80’s slasher movie ever made. Reaper tackles madness, addiction, the costs of stardom, and the innate servitude of every artist whose soul is chained to the growling, hungry beast within. A wonderful, terrifying, thrilling novel not to be missed.”—Philip Fracassi, author of A Child Alone With Strangers“In Curse of the Reaper, Brian McAuley carves a grinning specter from our cultural addictions to fandom and nostalgia, gleefully ripping through the boundaries between method and madness, pure scares and pitch-perfect schlock. With vividly wounded characters and a true fan’s eye for the horror show, Curse of the Reaper is an unmissable glimpse behind the screen.”—Gordon B. White, author of Rookfield and As Summer’s Mask Slips and Other Disruptions“The purpose of horror is to access the unconscious fears of the reader and exploit them. Brian McAuley does just that in Curse of the Reaper. An homage to the horror films of the 80's, he delivers horror in a way that will have you clutching the edge of your seat while whipping through the book until the very end. And I enjoyed every single page of it.”—Tracy Cross, author of Rootwork“Brian McAuley takes Method acting to maniacal meta-horror heights in his Poe-infused slasher Curse of the Reaper, which reads like a pitch-perfect riff off of Peter Bogdanovich’s Targets, a Los Angeles-cast Cask of Amontillado, and a Jerry Stahl-penned tug-of-war between Boris Karloff and Kane Hodder. Read it.” —Clay McLeod Chapman, author of The Remaking and Ghost Eaters“A love letter to slashers, and a nod to our addictions. To drugs, to fame. To the memories of who we once were.” —Jamie Flanagan, co-writer of Netflix’s Midnight Mass and The Haunting of Bly Manor“McAuley's Curse of the Reaper is a clever and creepy romp through the slasher genre, reveling in how it haunts and delights us, and how the real horror never, really ever ends.” —Kate Maruyama, author of Harrowgate and Family Solstice

Brian McAuley’s debut novel, Curse of the Reaper, was named one of the Best Horror Books of 2022 by Esquire. His holiday slasher novella, Candy Cain Kills, earned praise from Kirkus Reviews for its “sublimely drawn characters,” some of whom survived for the sequel, Candy Cain Kills Again: The Second Slaying. His next novel, Breathe In, Bleed Out, is out now from Poisoned Pen Press. As a WGA screenwriter, Brian has written everything from family sitcoms (Fuller House) to horror films (Dismissed). He teaches as a Clinical Assistant Professor of Screenwriting at ASU’s Sidney Poitier New American Film School. Connect with him on social media @BrianMcWriter.

In Praise of CURSE OF THE REAPER"McAuley excels at balancing the psychological against the supernatural, but he’s even better at satirizing the Hollywood machine. The author puts his experience of the screenwriting game to good use in a biting commentary on horror fandom, franchise culture, and thespian hubris. You’re never sure whether to root for Howard as a bastion of standards in a degraded creative industry or to pity him as a man whose self-regard is at odds with his body of work. Curse of the Reaper is a very funny book with some of the best “bad scriptwriting” ever committed to page. But when McAuley turns to horror in earnest, he goes hard." Esquire (Best Horror Novels of 2022)"At times deliriously fun and delightfully gory. Its blood-filled heart, however, is its main characters and their personal struggles. Both actors, in their own ways, strain under the unrelenting pressure of others’ expectations. To give the Reaper life, McAuley shares snippets of fictional movie screenplays that show the Reaper is just as deadly and entertaining as Jason or Freddy. This book is a must for fans of the slasher genre, but it also offers a sickle-sharp critique of the expendability of actors fed into the Hollywood machine." —Library Journal“Curse of the Reaper is the best kind of horror—one that’s equal parts psychological nightmare and bone-crunching bloodshed. McAuley’s novel is a grim amalgam, retelling the inner-struggle of a modern day Jekyll and Hyde and blending it (on high!) with every great 80’s slasher movie ever made. Reaper tackles madness, addiction, the costs of stardom, and the innate servitude of every artist whose soul is chained to the growling, hungry beast within. A wonderful, terrifying, thrilling novel not to be missed.”—Philip Fracassi, author of A Child Alone With Strangers“In Curse of the Reaper, Brian McAuley carves a grinning specter from our cultural addictions to fandom and nostalgia, gleefully ripping through the boundaries between method and madness, pure scares and pitch-perfect schlock. With vividly wounded characters and a true fan’s eye for the horror show, Curse of the Reaper is an unmissable glimpse behind the screen.”—Gordon B. White, author of Rookfield and As Summer’s Mask Slips and Other Disruptions“The purpose of horror is to access the unconscious fears of the reader and exploit them. Brian McAuley does just that in Curse of the Reaper. An homage to the horror films of the 80's, he delivers horror in a way that will have you clutching the edge of your seat while whipping through the book until the very end. And I enjoyed every single page of it.”—Tracy Cross, author of Rootwork“Brian McAuley takes Method acting to maniacal meta-horror heights in his Poe-infused slasher Curse of the Reaper, which reads like a pitch-perfect riff off of Peter Bogdanovich’s Targets, a Los Angeles-cast Cask of Amontillado, and a Jerry Stahl-penned tug-of-war between Boris Karloff and Kane Hodder. Read it.” —Clay McLeod Chapman, author of The Remaking and Ghost Eaters“A love letter to slashers, and a nod to our addictions. To drugs, to fame. To the memories of who we once were.” —Jamie Flanagan, co-writer of Netflix’s Midnight Mass and The Haunting of Bly Manor“McAuley's Curse of the Reaper is a clever and creepy romp through the slasher genre, reveling in how it haunts and delights us, and how the real horror never, really ever ends.” —Kate Maruyama, author of Harrowgate and Family Solstice