Onno Kosters is Assistant Professor of English Literature and Translation at Utrecht University. His main research interests are Anglo-Irish literature in general, and James Joyce, Samuel Beckett, and Seamus Heaney in particular. Tim Conley is Professor of English and Comparative Literature at Brock University in Canada. He has written and edited several books, including Joyces Mistakes: Problems of Intention, Irony, and Interpretation (2003), Joyce’s Disciples Disciplined (2010), and Doubtful Points: Joyce and Punctuation (co-edited with Elizabeth M. Bonapfel, 2014).Peter de Voogd is emeritus professor of English, Utrecht University, and founding editor of The Shandean. He has published widely on the eighteenth century and Modernism.

• Introduction: “Dandy Paradoxes”David PascoeThe Machine Aesthetic in Joyce and De StijlDavid SpurrFrom Dowel to Tesseract: Joyce and De Stijl from “Cyclops” to Finnegans WakeCatherine Flynn“A Great Future Behind Him”: Revisiting John F. Taylor’s Speech in “Aeolus” RevisitedSo OnoseBloom’s Dream Cottage and Crusoe’s Island: Man CavesAustin BriggsJoyce Among the Cockneys: The East End as Alternative LondonStephanie BolandBabababblin’ Drolleries and Multilingual Phonologies: Developing a Multilingual Ethics of Embodiment through Finnegans WakeBoriana A. AlexandrovaWonderful Vocables: Joyce and the Neurolinguistics of Language TalentMaria KagerFelicitating the Whole of the Polis in Finnegans WakeSam SloteAssimilating Shem into the Plural Polity: Burrus, Caseous, and Irish Free State Dairy ProductionPhilip Keel Geheber“Behush the Bush. Whish!”: Silence, Loss, and Finnegans WakeKatherine O’CallaghanWaking “for an equality of relations”Tim ConleyThe Three Fates of the Finnegans Wake Notebook ResearchRobbert-Jan HenkesThe Worldmaker’s Umwelt: The Cognitive Space between a Writer’s Library and the Publishing HouseDirk Van HulleList of contributors

Onno Kosters is Assistant Professor of English Literature and Translation at Utrecht University. His main research interests are Anglo-Irish literature in general, and James Joyce, Samuel Beckett, and Seamus Heaney in particular. Tim Conley is Professor of English and Comparative Literature at Brock University in Canada. He has written and edited several books, including Joyces Mistakes: Problems of Intention, Irony, and Interpretation (2003), Joyce’s Disciples Disciplined (2010), and Doubtful Points: Joyce and Punctuation (co-edited with Elizabeth M. Bonapfel, 2014).Peter de Voogd is emeritus professor of English, Utrecht University, and founding editor of The Shandean. He has published widely on the eighteenth century and Modernism.

• Introduction: “Dandy Paradoxes”David PascoeThe Machine Aesthetic in Joyce and De StijlDavid SpurrFrom Dowel to Tesseract: Joyce and De Stijl from “Cyclops” to Finnegans WakeCatherine Flynn“A Great Future Behind Him”: Revisiting John F. Taylor’s Speech in “Aeolus” RevisitedSo OnoseBloom’s Dream Cottage and Crusoe’s Island: Man CavesAustin BriggsJoyce Among the Cockneys: The East End as Alternative LondonStephanie BolandBabababblin’ Drolleries and Multilingual Phonologies: Developing a Multilingual Ethics of Embodiment through Finnegans WakeBoriana A. AlexandrovaWonderful Vocables: Joyce and the Neurolinguistics of Language TalentMaria KagerFelicitating the Whole of the Polis in Finnegans WakeSam SloteAssimilating Shem into the Plural Polity: Burrus, Caseous, and Irish Free State Dairy ProductionPhilip Keel Geheber“Behush the Bush. Whish!”: Silence, Loss, and Finnegans WakeKatherine O’CallaghanWaking “for an equality of relations”Tim ConleyThe Three Fates of the Finnegans Wake Notebook ResearchRobbert-Jan HenkesThe Worldmaker’s Umwelt: The Cognitive Space between a Writer’s Library and the Publishing HouseDirk Van HulleList of contributors

Onno Kosters is Assistant Professor of English Literature and Translation at Utrecht University. His main research interests are Anglo-Irish literature in general, and James Joyce, Samuel Beckett, and Seamus Heaney in particular. Tim Conley is Professor of English and Comparative Literature at Brock University in Canada. He has written and edited several books, including Joyces Mistakes: Problems of Intention, Irony, and Interpretation (2003), Joyce’s Disciples Disciplined (2010), and Doubtful Points: Joyce and Punctuation (co-edited with Elizabeth M. Bonapfel, 2014).Peter de Voogd is emeritus professor of English, Utrecht University, and founding editor of The Shandean. He has published widely on the eighteenth century and Modernism.

• Introduction: “Dandy Paradoxes”David PascoeThe Machine Aesthetic in Joyce and De StijlDavid SpurrFrom Dowel to Tesseract: Joyce and De Stijl from “Cyclops” to Finnegans WakeCatherine Flynn“A Great Future Behind Him”: Revisiting John F. Taylor’s Speech in “Aeolus” RevisitedSo OnoseBloom’s Dream Cottage and Crusoe’s Island: Man CavesAustin BriggsJoyce Among the Cockneys: The East End as Alternative LondonStephanie BolandBabababblin’ Drolleries and Multilingual Phonologies: Developing a Multilingual Ethics of Embodiment through Finnegans WakeBoriana A. AlexandrovaWonderful Vocables: Joyce and the Neurolinguistics of Language TalentMaria KagerFelicitating the Whole of the Polis in Finnegans WakeSam SloteAssimilating Shem into the Plural Polity: Burrus, Caseous, and Irish Free State Dairy ProductionPhilip Keel Geheber“Behush the Bush. Whish!”: Silence, Loss, and Finnegans WakeKatherine O’CallaghanWaking “for an equality of relations”Tim ConleyThe Three Fates of the Finnegans Wake Notebook ResearchRobbert-Jan HenkesThe Worldmaker’s Umwelt: The Cognitive Space between a Writer’s Library and the Publishing HouseDirk Van HulleList of contributors