Franco Ricci – författare

Often hailed as one of the greatest television series of all time, The Sopranos is a product of its time, firmly embedded in the problems of post-industrial, post-ethnic America. In The Sopranos: Born under a Bad Sign, Franco Ricci examines the groundbreaking HBO series and its impact as a cultural phenomenon.Ricci demonstrates an encyclopedic knowledge of the series, the genre, and their social context in his analysis of the show’s complex themes and characters. He explores The Sopranos’ deep engagement with problems of race, class, gender, and identity, specifically in its portrayal of the Italian-American experience, consumer and media-driven society, and contemporary psychosocial issues. The series’ protagonist, Mafia boss and patriarch Tony Soprano, in many ways embodies the anxieties of our age. Focusing on Tony’s internal struggles and interactions with his therapist, family, and associates, Ricci traces this archetypal character’s existential conflicts and sheds light on his search for self, connection, and meaning.Comprehensive in scope and sophisticated in approach, The Sopranos: Born under a Bad Sign is richly rewarding reading for anyone with an interest in the popular television drama, both as entertainment and social commentary.

Often hailed as one of the greatest television series of all time, The Sopranos is a product of its time, firmly embedded in the problems of post-industrial, post-ethnic America. In The Sopranos: Born under a Bad Sign, Franco Ricci examines the groundbreaking HBO series and its impact as a cultural phenomenon.Ricci demonstrates an encyclopedic knowledge of the series, the genre, and their social context in his analysis of the show’s complex themes and characters. He explores The Sopranos’ deep engagement with problems of race, class, gender, and identity, specifically in its portrayal of the Italian-American experience, consumer and media-driven society, and contemporary psychosocial issues. The series’ protagonist, Mafia boss and patriarch Tony Soprano, in many ways embodies the anxieties of our age. Focusing on Tony’s internal struggles and interactions with his therapist, family, and associates, Ricci traces this archetypal character’s existential conflicts and sheds light on his search for self, connection, and meaning.Comprehensive in scope and sophisticated in approach, The Sopranos: Born under a Bad Sign is richly rewarding reading for anyone with an interest in the popular television drama, both as entertainment and social commentary.

Often hailed as one of the greatest television series of all time, The Sopranos is a product of its time, firmly embedded in the problems of post-industrial, post-ethnic America. In The Sopranos: Born under a Bad Sign, Franco Ricci examines the groundbreaking HBO series and its impact as a cultural phenomenon.Ricci demonstrates an encyclopedic knowledge of the series, the genre, and their social context in his analysis of the show’s complex themes and characters. He explores The Sopranos’ deep engagement with problems of race, class, gender, and identity, specifically in its portrayal of the Italian-American experience, consumer and media-driven society, and contemporary psychosocial issues. The series’ protagonist, Mafia boss and patriarch Tony Soprano, in many ways embodies the anxieties of our age. Focusing on Tony’s internal struggles and interactions with his therapist, family, and associates, Ricci traces this archetypal character’s existential conflicts and sheds light on his search for self, connection, and meaning.Comprehensive in scope and sophisticated in approach, The Sopranos: Born under a Bad Sign is richly rewarding reading for anyone with an interest in the popular television drama, both as entertainment and social commentary.

Ricci's book ranges widely over Calvino's oeuvre to illustrate the accuracy of the idea articulated by Calvino himself that a visual image lies at the origin of all his narrative. The book's main theme is the difficult interface between word and image that Calvino struggled with throughout his career, the act of perception that rendered visible that which was invisible and transformed what was seen into what is read. Ricci holds that Calvino's narrative has an 'imagocentric' program and that his literary strategy is 'ekphrastic' i.e. it is characterized by literary description of visual representation, real or imaginary. The book is interdisciplinary in nature and will interest not only scholars of literature but also those who work with the visual arts and with information technology.