Charles A. Beard (1874-1948) is considered one of the most influential American historians in the first half of the twentieth century. Some of his works include Economic Origins of Jeffersonian Democracy, and The Administration and Politics of Tokyo.

"Here again is the original constitutional skeptic to remind Americans that our republic's authors had not only intellects but interests. Charles Beard set out to jolt his contemporaries out of their pious admiration of the constitution's framers. His economic interpretation remains a lively, surprisingly humorous and sharp-witted analysis of the nation's beginnings. Reading it today, the book aims a keen and pointed thrust at the originalism of our own age."

Charles A. Beard (1874-1948) is considered one of the most influential American historians in the first half of the twentieth century. Some of his works include Economic Origins of Jeffersonian Democracy, and The Administration and Politics of Tokyo.

"Here again is the original constitutional skeptic to remind Americans that our republic's authors had not only intellects but interests. Charles Beard set out to jolt his contemporaries out of their pious admiration of the constitution's framers. His economic interpretation remains a lively, surprisingly humorous and sharp-witted analysis of the nation's beginnings. Reading it today, the book aims a keen and pointed thrust at the originalism of our own age."

Charles A. Beard (1874-1948) is considered one of the most influential American historians in the first half of the twentieth century. Some of his works include Economic Origins of Jeffersonian Democracy, and The Administration and Politics of Tokyo.

"Here again is the original constitutional skeptic to remind Americans that our republic's authors had not only intellects but interests. Charles Beard set out to jolt his contemporaries out of their pious admiration of the constitution's framers. His economic interpretation remains a lively, surprisingly humorous and sharp-witted analysis of the nation's beginnings. Reading it today, the book aims a keen and pointed thrust at the originalism of our own age."