Jeffrey Ford is the author of the novels The Physiognomy, Memoranda, The Beyond, The Portrait of Mrs. Charbuque, the Edgar Award–winning The Girl in the Glass, The Cosmology of the Wider World, The Shadow Year, and The Twilight Pariah, and his collections include The Fantasy Writer’s Assistant, The Empire of Ice Cream, The Drowned Life, Crackpot Palace, and A Natural History of Hell. He lives near Columbus, Ohio, and teaches writing at Ohio Wesleyan University.

“Unusual and gripping. . . .Fans of successful reimaginings of literary classics. . .will be entertained.” — Publishers Weekly“It takes chutzpah to revive one of the most vivid yet most unknowable characters in all literature, let alone to place him in a story that celebrates its own essential pulpiness. . . . Jeffrey Ford has that chutzpah . . .[M]arvelous.” — SciFi Magazine (”A” rating)“[A]n imaginary sequel to an imaginative work, a virtual or alternate vision. … Primed for adventure, Harrow guides [Ahab] through New York’s seething underworld on his quest and perchance to find fresh material. Of that, readers are dealt a-plenty.” — Fredericksburg Free Lance-Star“Ford knows how to tell a story, whatever the genre, and how to get out of its way and when to stop, and here that makes for a great few hours between the covers. … Sign on for this one; it’s well worth the trip.” — Washington Independent Review of Books“This is an adventure worthy of the captain. … This fast-paced, occasionally acerbic, often bloody, but always entertaining story is an homage to Moby-Dick and a fitting continuation/conclusion of Ahab’s story.” — New York Journal of BooksPraise for The Shadow Year:“Jeffrey Ford is one of the few writers who uses wonder instead of ink in his pen.” — Jonathan Carroll, author of The Wooden Sea“Properly creepy, but from time to time deliciously funny and heartbreakingly poignant, too. For those of you—and you know who you are—who think the indispensable element for good genre fiction is good writing, this is not to be missed.” — Kirkus Reviews (starred review)“Superb, heartbreaking, and masterfully written. . . . It’s proof of Jeffrey Ford’s narrative power that, ultimately, the distinction [between real and invented] doesn’t much matter. His made-up world trumps ours.” — Magazine of Science Fiction and Fantasy“A work of episodic beauty and mercurial significance.” — Locus“Think Ray Bradbury’s “Green Town” stories, Harper Lee’s To Kill a Mockingbird and Stephen King’s The Body (made into the film Stand by Me) and you get an idea of the tone of Ford’s latest fine work. Grade: A” — Denver Rocky Mountain News

Jeffrey Ford is the author of the novels The Physiognomy, Memoranda, The Beyond, The Portrait of Mrs. Charbuque, the Edgar Award–winning The Girl in the Glass, The Cosmology of the Wider World, The Shadow Year, and The Twilight Pariah, and his collections include The Fantasy Writer’s Assistant, The Empire of Ice Cream, The Drowned Life, Crackpot Palace, and A Natural History of Hell. He lives near Columbus, Ohio, and teaches writing at Ohio Wesleyan University.

“Unusual and gripping. . . .Fans of successful reimaginings of literary classics. . .will be entertained.” — Publishers Weekly“It takes chutzpah to revive one of the most vivid yet most unknowable characters in all literature, let alone to place him in a story that celebrates its own essential pulpiness. . . . Jeffrey Ford has that chutzpah . . .[M]arvelous.” — SciFi Magazine (”A” rating)“[A]n imaginary sequel to an imaginative work, a virtual or alternate vision. … Primed for adventure, Harrow guides [Ahab] through New York’s seething underworld on his quest and perchance to find fresh material. Of that, readers are dealt a-plenty.” — Fredericksburg Free Lance-Star“Ford knows how to tell a story, whatever the genre, and how to get out of its way and when to stop, and here that makes for a great few hours between the covers. … Sign on for this one; it’s well worth the trip.” — Washington Independent Review of Books“This is an adventure worthy of the captain. … This fast-paced, occasionally acerbic, often bloody, but always entertaining story is an homage to Moby-Dick and a fitting continuation/conclusion of Ahab’s story.” — New York Journal of BooksPraise for The Shadow Year:“Jeffrey Ford is one of the few writers who uses wonder instead of ink in his pen.” — Jonathan Carroll, author of The Wooden Sea“Properly creepy, but from time to time deliciously funny and heartbreakingly poignant, too. For those of you—and you know who you are—who think the indispensable element for good genre fiction is good writing, this is not to be missed.” — Kirkus Reviews (starred review)“Superb, heartbreaking, and masterfully written. . . . It’s proof of Jeffrey Ford’s narrative power that, ultimately, the distinction [between real and invented] doesn’t much matter. His made-up world trumps ours.” — Magazine of Science Fiction and Fantasy“A work of episodic beauty and mercurial significance.” — Locus“Think Ray Bradbury’s “Green Town” stories, Harper Lee’s To Kill a Mockingbird and Stephen King’s The Body (made into the film Stand by Me) and you get an idea of the tone of Ford’s latest fine work. Grade: A” — Denver Rocky Mountain News

Jeffrey Ford is the author of the novels The Physiognomy, Memoranda, The Beyond, The Portrait of Mrs. Charbuque, the Edgar Award–winning The Girl in the Glass, The Cosmology of the Wider World, The Shadow Year, and The Twilight Pariah, and his collections include The Fantasy Writer’s Assistant, The Empire of Ice Cream, The Drowned Life, Crackpot Palace, and A Natural History of Hell. He lives near Columbus, Ohio, and teaches writing at Ohio Wesleyan University.

“Unusual and gripping. . . .Fans of successful reimaginings of literary classics. . .will be entertained.” — Publishers Weekly“It takes chutzpah to revive one of the most vivid yet most unknowable characters in all literature, let alone to place him in a story that celebrates its own essential pulpiness. . . . Jeffrey Ford has that chutzpah . . .[M]arvelous.” — SciFi Magazine (”A” rating)“[A]n imaginary sequel to an imaginative work, a virtual or alternate vision. … Primed for adventure, Harrow guides [Ahab] through New York’s seething underworld on his quest and perchance to find fresh material. Of that, readers are dealt a-plenty.” — Fredericksburg Free Lance-Star“Ford knows how to tell a story, whatever the genre, and how to get out of its way and when to stop, and here that makes for a great few hours between the covers. … Sign on for this one; it’s well worth the trip.” — Washington Independent Review of Books“This is an adventure worthy of the captain. … This fast-paced, occasionally acerbic, often bloody, but always entertaining story is an homage to Moby-Dick and a fitting continuation/conclusion of Ahab’s story.” — New York Journal of BooksPraise for The Shadow Year:“Jeffrey Ford is one of the few writers who uses wonder instead of ink in his pen.” — Jonathan Carroll, author of The Wooden Sea“Properly creepy, but from time to time deliciously funny and heartbreakingly poignant, too. For those of you—and you know who you are—who think the indispensable element for good genre fiction is good writing, this is not to be missed.” — Kirkus Reviews (starred review)“Superb, heartbreaking, and masterfully written. . . . It’s proof of Jeffrey Ford’s narrative power that, ultimately, the distinction [between real and invented] doesn’t much matter. His made-up world trumps ours.” — Magazine of Science Fiction and Fantasy“A work of episodic beauty and mercurial significance.” — Locus“Think Ray Bradbury’s “Green Town” stories, Harper Lee’s To Kill a Mockingbird and Stephen King’s The Body (made into the film Stand by Me) and you get an idea of the tone of Ford’s latest fine work. Grade: A” — Denver Rocky Mountain News