Isle McElroy (they/them) is a non-binary author based in New York. Their writing has appeared in the New York Times, The Atlantic, New York Times Magazine, The Cut, GQ, The Guardian, Vogue, Bon Appétit, and other publications. They have received fellowships from the Bread Loaf Writers’ Conference, the Tin House Summer Workshop, the Sewanee Writers Conference, and they were named one of The Strand's 30 Writers to Watch. In May 2021, Isle founded Debuts & Redos, a reading series for authors who published books during the pandemic. Their first novel, The Atmospherians, was named an Editor's Choice by the New York Times and a book of the year by Esquire, Electric Literature, Debutiful, and many other outlets.

"A profound and moving meditation on love and commitment swapped into the body of a gripping literary thriller—I predict Isle McElroy’s People Collide will inaugurate an entire genre." — Torrey Peters, author of Detransition, Baby"Engrossing . . . an impressive twist on the familiar trope of marital ennui." — Publishers Weekly"McElroy is sharp on the collaborative failures endemic to love, and the kind of oneness that creates separation. In People Collide, that separation is explored through the body with wonder and frankness." — Raven Leilani, author of Luster"Expertly interrogates gender roles and questions the ties that bind lovers together." — Vogue"[People Collide] deftly explores partnership, identity, and sex." — Rolling Stone"People Collide dives deeper into gender and sexuality with the same sharp wit [as their first novel." — Them"[A] profound exploration of marriage, identity, and sex." — Nylon Magazine"[People Collide's] naturalness and ease with the most fundamental questions of existence make it a big project knocking around in a small package." — Alexandra Jacobs, New York Times"Compelling, hilarious, and thought-provoking, this is a fascinating Freaky Friday-like thought-experiment that questions the performance and expectations of gender roles, the body-mind puzzle, how class can define a person’s perspective, and the definition of identity." — Booklist"Beyond the gender binary and the public's assumptions based upon appearances, McElroy's insightful novel also examines class, privilege, the art world, and family relationships....People Collide is sly, clever, funny, provocative, and compelling. It offers a world and a story to get lost in." — Shelf Awareness"A hilarious, riveting novel of a married American couple's body swap." — San Francisco Chronicle"Fascinating ... an entertaining, thoughtful depiction of how we choose to exist, and its implications for how we love." — Elle"A little Kafkaesque, a little Hitchcockian, a little Freaky Friday, but McElroy makes this dizzying story their own." — Electric Literature"A fresh take on a classic trope." — The Millions"A creative, well-written exploration of marriage, gender, and desire." — Kirkus Reviews"People Collide asks how the ambition, power, sweetness, and deep-feeling of our bodies gets policed by those who perceive us, and how we sometimes wind up hurting each other as a result. McElroy writes their characters with compassion for human pain and bumbling, but makes room for all our complexity and occasional grace too. This is the queer novel I didn’t know I so badly needed." — CJ Hauser, author of The Crane Wife"People Collide is spectacular. McElroy has given us a work of art that's original, stylish, and frequently masterly in the ways it explores the porous and mutable nature of bodies, selves, partnerships, and what we call love. Bravo." — Sarah Thankam Mathews, author of All This Could Be Different"People Collide takes a sudden turn in its final pages, building toward an ending that’s genuinely moving and redemptive, though not in the way the reader has been expecting. The finale is so good, in fact, that it elevates the entire book, making it one of the year’s most compelling reads. Ultimately, McElroy discovers that gender-swap narratives may really be about tracing the wavy line between envy and desire." — Charlie Jane Anders, Washington Post"People Collide's Freaky Friday concept covers a deep exploration of marriage, love, and the ways we know one another—and don't—as well as how slippery a sense of self can be when so much of how we navigate the world depends on how it sees us." — Ilana Masad, NPR

Isle McElroy (they/them) is a non-binary author based in New York. Their writing has appeared in the New York Times, The Atlantic, New York Times Magazine, The Cut, GQ, The Guardian, Vogue, Bon Appétit, and other publications. They have received fellowships from the Bread Loaf Writers’ Conference, the Tin House Summer Workshop, the Sewanee Writers Conference, and they were named one of The Strand's 30 Writers to Watch. In May 2021, Isle founded Debuts & Redos, a reading series for authors who published books during the pandemic. Their first novel, The Atmospherians, was named an Editor's Choice by the New York Times and a book of the year by Esquire, Electric Literature, Debutiful, and many other outlets.

"A profound and moving meditation on love and commitment swapped into the body of a gripping literary thriller—I predict Isle McElroy’s People Collide will inaugurate an entire genre." — Torrey Peters, author of Detransition, Baby"Engrossing . . . an impressive twist on the familiar trope of marital ennui." — Publishers Weekly"McElroy is sharp on the collaborative failures endemic to love, and the kind of oneness that creates separation. In People Collide, that separation is explored through the body with wonder and frankness." — Raven Leilani, author of Luster"Expertly interrogates gender roles and questions the ties that bind lovers together." — Vogue"[People Collide] deftly explores partnership, identity, and sex." — Rolling Stone"People Collide dives deeper into gender and sexuality with the same sharp wit [as their first novel." — Them"[A] profound exploration of marriage, identity, and sex." — Nylon Magazine"[People Collide's] naturalness and ease with the most fundamental questions of existence make it a big project knocking around in a small package." — Alexandra Jacobs, New York Times"Compelling, hilarious, and thought-provoking, this is a fascinating Freaky Friday-like thought-experiment that questions the performance and expectations of gender roles, the body-mind puzzle, how class can define a person’s perspective, and the definition of identity." — Booklist"Beyond the gender binary and the public's assumptions based upon appearances, McElroy's insightful novel also examines class, privilege, the art world, and family relationships....People Collide is sly, clever, funny, provocative, and compelling. It offers a world and a story to get lost in." — Shelf Awareness"A hilarious, riveting novel of a married American couple's body swap." — San Francisco Chronicle"Fascinating ... an entertaining, thoughtful depiction of how we choose to exist, and its implications for how we love." — Elle"A little Kafkaesque, a little Hitchcockian, a little Freaky Friday, but McElroy makes this dizzying story their own." — Electric Literature"A fresh take on a classic trope." — The Millions"A creative, well-written exploration of marriage, gender, and desire." — Kirkus Reviews"People Collide asks how the ambition, power, sweetness, and deep-feeling of our bodies gets policed by those who perceive us, and how we sometimes wind up hurting each other as a result. McElroy writes their characters with compassion for human pain and bumbling, but makes room for all our complexity and occasional grace too. This is the queer novel I didn’t know I so badly needed." — CJ Hauser, author of The Crane Wife"People Collide is spectacular. McElroy has given us a work of art that's original, stylish, and frequently masterly in the ways it explores the porous and mutable nature of bodies, selves, partnerships, and what we call love. Bravo." — Sarah Thankam Mathews, author of All This Could Be Different"People Collide takes a sudden turn in its final pages, building toward an ending that’s genuinely moving and redemptive, though not in the way the reader has been expecting. The finale is so good, in fact, that it elevates the entire book, making it one of the year’s most compelling reads. Ultimately, McElroy discovers that gender-swap narratives may really be about tracing the wavy line between envy and desire." — Charlie Jane Anders, Washington Post"People Collide's Freaky Friday concept covers a deep exploration of marriage, love, and the ways we know one another—and don't—as well as how slippery a sense of self can be when so much of how we navigate the world depends on how it sees us." — Ilana Masad, NPR