The Unbridled Tongue looks at gossip, rumour, and talking too much in Renaissance France in order to uncover what was specific about these practices in the period. Taking its cue from Erasmus''s Lingua, in which both the subjective and political consequences of an idle and unbridled tongue are emphasised, the book investigates the impact of gossip and rumour on contemporary conceptions of identity and political engagement. Emily Butterworth discussesprescriptive literature on the tongue and theological discussions of Pentecost and prophecy, and then covers nearly a century in chapters focused on a single text: Rabelais''s Tiers Livre, Marguerite de Navarre''s Heptaméron, Ronsard''s Discours des misères de ce temps, Montaigne''s ''Des boyteux'', Brantôme''s Damesgalantes and the anonymous Caquets de l''accouchée. In covering the ''long sixteenth century'', the book is able to investigate the impact of the French Wars of Religion on perceptions of gossip and rumour, and place them in the context of an emerging public sphere of political critique and discussion, principally through the figure of the ''public voice'' which, although it was associated with unruly utterance, was nevertheless a powerful rhetorical tool for the expression ofgrievances. The Cynic virtue of parrhesia, or free speech, is similarly ambivalent in many accounts, oscillating between bold truth-telling (liberté) and disordered babble (licence). Drawing on modern and pre-modern theories of the uses and function of gossip, the book argues that, despite this ambivalence in descriptionsof the tongue, gossip and idle talk were finally excluded from the public sphere by being associated with the feminine and the irrational.
