More Time studies the contemporary short story and focuses on four recent collections: Alice Munro''s Dear Life (2012); Andre Dubus''s Dancing After Hours (1996); Joy Williams''s The Visiting Privilege (2015); and Lydia Davis''s Can''t and Won''t (2014). Each publication has appeared near the conclusion of a career devoted all but exclusively to short stories, with each defining a ''late style'' honed over a lifetime. As well,each diverges from others in ways that have profoundly shaped our generic conceptions, and collectively they represent the four most innovative practitioners of the past half-century (with the arguable exception of Raymond Carver).Yet in an era when writing programs, The New Yorker, and distinguished journals all promulgate the short story, it remains relatively under-examined as a major literary form. We continue to argue about what a story inherently is, ignoring how differences among practitioners enliven the field. Dubus, Munro, Williams, and Davis each defy critical efforts to identify the story form''s presumed constitution, marked by a supposedly special shape or requisite length or distinct narrativetrajectory. And the very contrast among their efforts reveals the expansiveness of the genre, though few have taken such a cross-glancing interpretive approach. This volume opens up discussion, shifting from close analysis into larger speculation about possibilities established by the most innovative writers intheir later work.
