P. Adams Sitney is Professor of Visual Arts in the Lewis Center for the Arts at Princeton University.

P. Adams Sitney offers a monumental, enchanting account of poetry as cinema, turning the analogy upside-down, vividly and deftly tracing nuanced concepts of narrative versus lyric film, psychoanalysis, dreams, and social realities in European filmmakers as well as in cinema of the American avant-garde. Those familiar with Sitney's earlier 'visionary' scholarship will exult in the coming together of multiple strands; those unfamiliar, will be treated to a distilled, layered overview of a significant nexus in the history of film.

• Preface ; Introduction: An Autobiography of Enthusiasms ; I ; Pier Paolo Pasolini and "The Cinema of 'Poetry'" ; Dimitri Kirsanoff's Menilmontant ; Ingmar Bergman's Primal Scene ; Andrey Tarkovsky's Concept of Poetry ; II ; Poetry and the American Avant-garde Cinema ; The Dialectict of Experience in Joseph Cornell's Films ; Lawrence Jordan's Magical Instructions ; Stan Brakhage's Poetics ; Nathaniel Dorsky, Jerome Hiler, and the Polyvalent Film ; Gregory J. Markopoulos and the Temenos

P. Adams Sitney is Professor of Visual Arts in the Lewis Center for the Arts at Princeton University.

P. Adams Sitney offers a monumental, enchanting account of poetry as cinema, turning the analogy upside-down, vividly and deftly tracing nuanced concepts of narrative versus lyric film, psychoanalysis, dreams, and social realities in European filmmakers as well as in cinema of the American avant-garde. Those familiar with Sitney's earlier 'visionary' scholarship will exult in the coming together of multiple strands; those unfamiliar, will be treated to a distilled, layered overview of a significant nexus in the history of film.

• Preface ; Introduction: An Autobiography of Enthusiasms ; I ; Pier Paolo Pasolini and "The Cinema of 'Poetry'" ; Dimitri Kirsanoff's Menilmontant ; Ingmar Bergman's Primal Scene ; Andrey Tarkovsky's Concept of Poetry ; II ; Poetry and the American Avant-garde Cinema ; The Dialectict of Experience in Joseph Cornell's Films ; Lawrence Jordan's Magical Instructions ; Stan Brakhage's Poetics ; Nathaniel Dorsky, Jerome Hiler, and the Polyvalent Film ; Gregory J. Markopoulos and the Temenos