Henry S. Turner is Associate Professor of English at Rutgers University, New Brunswick. He is the author of The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts, 1580-1630 (Oxford, 2006), Shakespeare's Double Helix (Continuum, 2008), the editor of The Culture of Capital: Property, Cities, and Knowledge in Early Modern England (Routledge, 2002), and co-editor of the book series "Literary and Scientific Cultures of Early Modernity " at Ashgate Press. His essays have appeared in Shakespeare Quarterly, Renaissance Drama, Configurations, Isis, South Central Review, differences, and postmedieval. His work has been supported by grants from the American Council of Learned Societies, the National Humanities Center, and the National Endowment for the Humanities.

a nuanced state-of-the-field publication, but also -- and more importantly -- as a map of where we might go next if we're willing to put the tools of theater history, performance studies, and critical theory into conversation ... Early Modern Theatricality advances a form of critical inquiry that is both historically meticulous and theoretically sophisticated.

• LIST OF ILLUSTRATIONS; NOTES ON CONTRIBUTORS; INDEX OF PLAYS; GENERAL INDEX

Henry S. Turner is Associate Professor of English at Rutgers University, New Brunswick. He is the author of The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts, 1580-1630 (Oxford, 2006), Shakespeare's Double Helix (Continuum, 2008), the editor of The Culture of Capital: Property, Cities, and Knowledge in Early Modern England (Routledge, 2002), and co-editor of the book series "Literary and Scientific Cultures of Early Modernity " at Ashgate Press. His essays have appeared in Shakespeare Quarterly, Renaissance Drama, Configurations, Isis, South Central Review, differences, and postmedieval. His work has been supported by grants from the American Council of Learned Societies, the National Humanities Center, and the National Endowment for the Humanities.

a nuanced state-of-the-field publication, but also -- and more importantly -- as a map of where we might go next if we're willing to put the tools of theater history, performance studies, and critical theory into conversation ... Early Modern Theatricality advances a form of critical inquiry that is both historically meticulous and theoretically sophisticated.

• LIST OF ILLUSTRATIONS; NOTES ON CONTRIBUTORS; INDEX OF PLAYS; GENERAL INDEX