The Myth of Disenchantment (häftad)
Format
Häftad (Paperback / softback)
Språk
Engelska
Antal sidor
400
Utgivningsdatum
2017-05-16
Förlag
University of Chicago Press
Illustratör/Fotograf
5 figures
Illustrationer
5 figures
Dimensioner
226 x 152 x 28 mm
Vikt
613 g
Antal komponenter
1
ISBN
9780226403366

The Myth of Disenchantment

Magic, Modernity, and the Birth of the Human Sciences

Häftad,  Engelska, 2017-05-16
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A great many theorists have argued that the defining feature of modernity is that people no longer believe in spirits, myths, or magic. Jason A. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly supposed. But that raises the question: How did a magical, spiritualist, mesmerized Europe ever convince itself that it was disenchanted? Josephson-Storm traces the history of the myth of disenchantment in the births of philosophy, anthropology, sociology, folklore, psychoanalysis, and religious studies. Ironically, the myth of mythless modernity formed at the very time that Britain, France, and Germany were in the midst of occult and spiritualist revivals. Indeed, Josephson-Storm argues, these disciplines' founding figures were not only aware of, but profoundly enmeshed in, the occult milieu; and it was specifically in response to this burgeoning culture of spirits and magic that they produced notions of a disenchanted world. By providing a novel history of the human sciences and their connection to esotericism, The Myth of Disenchantment dispatches with most widely held accounts of modernity and its break from the premodern past.
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Fler böcker av Jason Ananda Josephson Storm

  • Metamodernism

    Jason Ananda Josephson Storm

    For decades, scholars have been calling into question the universality of disciplinary objects and categories. The coherence of defined autonomous categoriessuch as religion, science, and arthas collapsed under the weight of postmodern critiques, ...

Recensioner i media

"A superb book. The kind that turns your brain upside down and gives it a good shake."-- "Peter J. Leithart, author of Gratitude: An Intellectual History" "As a factual matter, 'magic never truly vanished.' We're told that the Reformation disenchanted Western Europe, but Luther threw his inkpot at the devil and Puritans put witches on trial. The rise of science has been blamed for destroying magic, but Newton dabbled in alchemy and spent his free evenings puzzling over the Book of Daniel. Modernity's elites have always included more than a few spiritualists, theosophists, occultists, and magicians. . . .Josephson-Storm asks the key question: How did this factual myth become one of the myths that defines the modern age. . . .In Josephson-Storm's telling, the cultural trajectory of the past two centuries has not been 'disenchantment' so much as 'de-Christianization.' . . .We need to get the story right to understand the world we live in. Our choice isn't between "enchanted" religion and 'disenchanted' modernity. We'll be more clear-sighted when we recognize that the choice is more typically among rival enchantments."-- "First Things" "As he traces the story, Josephson-Storm brilliantly pulls open the curtain on one of our oft-told and rarely questioned modern myths, helping us better to see to see the motley crew responsible for its production. . . .Josephson-Storm's real gift is in making visible that a deanimated material world is not simply 'the way things are, ' but an accomplishment of shared human understanding."-- "The New Atlantis: A Journal of Technology and Society" "Everything is different, but nothing has changed. Apparently, the adage applies to magic and modernity as well. Josephson-Storm's foray is much like the Latourian 'we've never been modern' saga, but focused more specifically upon the status of myth-making as it pertains to faith, spiritual practices and the philosophy of religion over the last century or so."-- "Kritikos" "In his bravura debunking of this myth, Josephson-Storm stresses that it is a keystone of the broader narrative of Western modernity as a 'rupture' with its own past and non-Western cultures, facilitating imperialist projects and hierarchical distinctions. . . . What truly distinguishes this cultural history is its genealogical account of the myth through the early decades of the twentieth century, alongside the deeply researched case studies [Josephson-Storm] provides, replete with arresting details and broad-ranging insights."-- "Victorian Studies" "Josephson-Storm reveals the intentions that led him to write the book--a critique of the idea that magic and loss of magic are opposites, and that the former led to a superstitious society and the latter to a secularized and modern society. Starting from these considerations, the author's overriding objective is to demystify both Weberian disenchantment and the criticisms of modernity of Adorno, Horkheimer, and the postmodernists. The book shows, conversely, that magic and secularism are not opposites but have coexisted and contributed to building contemporaneity, intertwining in various ways."-- "History of Psychology" "Storm proposes an interesting and acute analysis. His intriguing conclusion is 'an attempt to undo the myth that there is no myth.' It suggests a new interpretation of an important issue of social and cultural history as well as a broader framework. We need to historicize the myth of modernity and its various incarnations in European social theory and Storm helps us to do so."-- "Journal of Ecclesiastical History" "The primary source base and the scale of analyzed material are impressive. It's a very intriguing book to read, detective non-fiction, where we learn that there is no killer as there was no murder. We've never been disenchanted, we've never been objective, as we

Övrig information

Jason A. Josephson-Storm is associate professor in and chair of the Department of Religion at Williams College. He is the author of The Invention of Religion in Japan, also published by the University of Chicago Press.