Advertising, Subjectivity and the Nineteenth-Century Novel

SARA THORNTON is Professor of English at the University of Paris 7 Denis-Diderot, France. She studied French literature at the University of London, UK, and at the Ecole Normale Supérieure in Paris before writing her PhD and 'habilitation' on Victorian literature. Publications include David Copperfield: Lectures d'une Oeuvre and Circulation and Transfer of Key Scenes in Nineteenth-century Literature.

'Thornton has a real gift for detailed, nuanced textual analyses. Shae also shows an impressive ability to draw upon a variety of critical and social theoriests, rangingb from Freud and Benjamin to Agamben and Butler, to add conceptual depth without diverting the argument in tangential or otherwise unproductive directions.' - Nicholas Mason, Associate Professor of English, Brigham Young University, USA, New Books Online 19

• Contents Acknowledgements List of figures Introduction THE LANGUAGE OF THE WALLS: SPACES, PRACTICES, SUBJECTIVITIES Thoroughfares for Inscription Moving Text/Motion Pictures Montage, Mirage and the (Mis)behavior of Language Forms of Subjection The Making of the Subject READING THE DICKENS ADVERTISER: MERGING PARATEXT AND NOVEL The Floating Gaze 'Anti-Bleak House' Gothic Mechanisms of Advertisement and Novel BALZAC'S REVOLUTION OF SIGNS: ADVERTISEMENT AS TEXTUAL PRACTICE The Language of the Paris Walls The becoming virtual of César Birotteau Dissolving Literature: lost illusions or great expectations? Conclusion Notes Bibliography Index