Ekphrastic Medieval Visions

CLAIRE BARBETTI is co-founder of Janus Head. Her poetry has been published in Cimarron Review, How2, and The Drunken Boat.

"Barbetti's book offers a much welcome addition to contemporary poetics and the theory of ekphrasis in particular, which often omits the Middle Ages and its rich resources for thinking the cultural relations between the verbal and visual arts. Ekphrastic Medieval Visions makes a beautiful case for the importance of medieval genres such as the dream-vision for understanding ekphrasis as a dynamic verb that activates a kinetically vibrant body-time-space dimension in poetry, but also in cultural memory." - Eileen A. Joy, Lead Ingenitor of the BABEL Working Group, co-editor of postmedieval: a journal of medieval cultural studies, and editor of The Postmodern Beowulf and Cultural Studies of the Modern Middle Ages "Recently ekphrasis has been a topic of some interest to scholars of medieval literature. Yet there has been little truly innovative work on the subject of the ekphrastic Middle Ages ... Claire Barbetti's Ekphrastic Medieval Visions: A New Discussion in Interarts Theory is the first text that has completely turned the definition of ekphrasis on its ear ... Barbetti's book is innovative in so many ways. By forcing ekphrasis out of the shadows of the binaries of verbal and visual, of masculine and feminine, of seeing and feeling she has given us a powerful new tool to examine texts in a different and intriguing light." - The Medieval Review

• An Introduction to the Field of Ekphrasis PART I The Ekphrastic Medieval Dream Vision Poethics and the Ekphrastic Body in Pearl Ekphrasis and the Polytemporal in Piers Plowman PART II  The Ekphrastic Mystical Vision Text and the Rhetoric of Memoria  Secret Designs/Public Shapes: The Space of Memory in the Ekphrasis of Hildegard's Scivias   Inhuman Ekphrasis: The Forty(plus)-Year Ekphrasis of Julian of Norwich  The Gift of Medieval Ekphrasis: Contemporary Ekphrastic Poethics and the Question of Art