Michael Emmerich is associate professor of Japanese literature and cultural studies at the University of California, Los Angeles. He is the editor of Read Real Japanese Fiction: Short Stories by Contemporary Writers and New Penguin Parallel Text: Short Stories in Japanese.

The Tale of Genji is a brilliantly sustained work of literary criticism, quite the most engrossing book in the field of Japanese literature I have read in years. It is a rare book, one that is sure to have a profound and lasting impact. -- Gaye Rowley, Waseda University A stunning tour de force, The Tale of Genji reveals the manner in which the work was 'replaced' by various texts and how it was made, from the late nineteenth century, into a world classic both in and outside Japan. Throughout, Michael Emmerich engages with translation studies, reception theory, and current notions of world literature, writing in a transnational, translingual context. This book makes us profoundly aware of the transformation of the material Tale of Genji and reading practices in Japan from the late early modern through the postwar period, thus bridging the gap between early modern and modern literary studies as well as that between Japanese literary studies and contemporary translation studies. -- Haruo Shirane, Columbia University, author of Japan and the Culture of the Four Seasons Michael Emmerich's astute analyses and imaginative interpretations are likely to radically change our view of Japanese literature and the role translation has played in its constitution, and they expand even the notion of translation itself. This discerning study gives a refreshing look at how an Edo-period illustrated book was put together and how it functioned. Anyone interested in the visual culture of Japan should read this book. -- Yoshiaki Shimizu, Princeton University This work's profundity, clarity, intriguing revelations, and accessibility recommend it to a wide readership... Essential. Choice This is a fabulously stimulating scholarly work... a highly sophisticated study of some of the most influential productions in word and image that have sprung from the Genji... The book is highly recommended to those who want to learn about Genji "replacements" and canonization Modern Philology Groundbreaking, provocative, and broad in scope... Michael Emmerich has given us a prodigious work of scholarship on the history and aesthetics of translation, while seriously challenging us to think anew about the methods and assumptions we bring to our field of study. Monumenta Nipponica Impeccably researched and copiously illustrated. -- Paul S. Atkins Harvard Journal of Asiatic Studies

• Acknowledgments A Note to the Reader Introduction: Replacing the Text Part I. Ninety-Nine Years in the Life of an Image Touchstone 1. Reimagining the Canon 1. A Gokan Is a Gokan Is a Gokan: Inaka Genji Beyond Parody 2. Reading Higashiyama: Image, Text, and Book in Inaka Genji 3. Turning a New Page: Bibliographic Translation and the Yomihonization of Inaka Genji Part II. In Medias Res Touchstone 2. Triangle 4. The History of a Romance: Genji Before Waley 5. From the World to the Nation: Making Genji Ours 6. "Genji monogatari: Translation and Original" Conclusion: Turning to Translation, Returning to Translation Notes Index

Michael Emmerich is associate professor of Japanese literature and cultural studies at the University of California, Los Angeles. He is the editor of Read Real Japanese Fiction: Short Stories by Contemporary Writers and New Penguin Parallel Text: Short Stories in Japanese.

The Tale of Genji is a brilliantly sustained work of literary criticism, quite the most engrossing book in the field of Japanese literature I have read in years. It is a rare book, one that is sure to have a profound and lasting impact. -- Gaye Rowley, Waseda University A stunning tour de force, The Tale of Genji reveals the manner in which the work was 'replaced' by various texts and how it was made, from the late nineteenth century, into a world classic both in and outside Japan. Throughout, Michael Emmerich engages with translation studies, reception theory, and current notions of world literature, writing in a transnational, translingual context. This book makes us profoundly aware of the transformation of the material Tale of Genji and reading practices in Japan from the late early modern through the postwar period, thus bridging the gap between early modern and modern literary studies as well as that between Japanese literary studies and contemporary translation studies. -- Haruo Shirane, Columbia University, author of Japan and the Culture of the Four Seasons Michael Emmerich's astute analyses and imaginative interpretations are likely to radically change our view of Japanese literature and the role translation has played in its constitution, and they expand even the notion of translation itself. This discerning study gives a refreshing look at how an Edo-period illustrated book was put together and how it functioned. Anyone interested in the visual culture of Japan should read this book. -- Yoshiaki Shimizu, Princeton University This work's profundity, clarity, intriguing revelations, and accessibility recommend it to a wide readership... Essential. Choice This is a fabulously stimulating scholarly work... a highly sophisticated study of some of the most influential productions in word and image that have sprung from the Genji... The book is highly recommended to those who want to learn about Genji "replacements" and canonization Modern Philology Groundbreaking, provocative, and broad in scope... Michael Emmerich has given us a prodigious work of scholarship on the history and aesthetics of translation, while seriously challenging us to think anew about the methods and assumptions we bring to our field of study. Monumenta Nipponica Impeccably researched and copiously illustrated. -- Paul S. Atkins Harvard Journal of Asiatic Studies

• Acknowledgments A Note to the Reader Introduction: Replacing the Text Part I. Ninety-Nine Years in the Life of an Image Touchstone 1. Reimagining the Canon 1. A Gokan Is a Gokan Is a Gokan: Inaka Genji Beyond Parody 2. Reading Higashiyama: Image, Text, and Book in Inaka Genji 3. Turning a New Page: Bibliographic Translation and the Yomihonization of Inaka Genji Part II. In Medias Res Touchstone 2. Triangle 4. The History of a Romance: Genji Before Waley 5. From the World to the Nation: Making Genji Ours 6. "Genji monogatari: Translation and Original" Conclusion: Turning to Translation, Returning to Translation Notes Index

Michael Emmerich is associate professor of Japanese literature and cultural studies at the University of California, Los Angeles. He is the editor of Read Real Japanese Fiction: Short Stories by Contemporary Writers and New Penguin Parallel Text: Short Stories in Japanese.

The Tale of Genji is a brilliantly sustained work of literary criticism, quite the most engrossing book in the field of Japanese literature I have read in years. It is a rare book, one that is sure to have a profound and lasting impact. -- Gaye Rowley, Waseda University A stunning tour de force, The Tale of Genji reveals the manner in which the work was 'replaced' by various texts and how it was made, from the late nineteenth century, into a world classic both in and outside Japan. Throughout, Michael Emmerich engages with translation studies, reception theory, and current notions of world literature, writing in a transnational, translingual context. This book makes us profoundly aware of the transformation of the material Tale of Genji and reading practices in Japan from the late early modern through the postwar period, thus bridging the gap between early modern and modern literary studies as well as that between Japanese literary studies and contemporary translation studies. -- Haruo Shirane, Columbia University, author of Japan and the Culture of the Four Seasons Michael Emmerich's astute analyses and imaginative interpretations are likely to radically change our view of Japanese literature and the role translation has played in its constitution, and they expand even the notion of translation itself. This discerning study gives a refreshing look at how an Edo-period illustrated book was put together and how it functioned. Anyone interested in the visual culture of Japan should read this book. -- Yoshiaki Shimizu, Princeton University This work's profundity, clarity, intriguing revelations, and accessibility recommend it to a wide readership... Essential. Choice This is a fabulously stimulating scholarly work... a highly sophisticated study of some of the most influential productions in word and image that have sprung from the Genji... The book is highly recommended to those who want to learn about Genji "replacements" and canonization Modern Philology Groundbreaking, provocative, and broad in scope... Michael Emmerich has given us a prodigious work of scholarship on the history and aesthetics of translation, while seriously challenging us to think anew about the methods and assumptions we bring to our field of study. Monumenta Nipponica Impeccably researched and copiously illustrated. -- Paul S. Atkins Harvard Journal of Asiatic Studies

• Acknowledgments A Note to the Reader Introduction: Replacing the Text Part I. Ninety-Nine Years in the Life of an Image Touchstone 1. Reimagining the Canon 1. A Gokan Is a Gokan Is a Gokan: Inaka Genji Beyond Parody 2. Reading Higashiyama: Image, Text, and Book in Inaka Genji 3. Turning a New Page: Bibliographic Translation and the Yomihonization of Inaka Genji Part II. In Medias Res Touchstone 2. Triangle 4. The History of a Romance: Genji Before Waley 5. From the World to the Nation: Making Genji Ours 6. "Genji monogatari: Translation and Original" Conclusion: Turning to Translation, Returning to Translation Notes Index