Häftad, Engelska, 2021
IPCRESS File
Av Len Deighton
Del i serien Penguin Modern Classics
152 kr
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Beskrivning
Produktinformation
- Utgivningsdatum: 2021-04-29
- Mått: 129 x 198 x 15 mm
- Vikt: 191 g
- Format: Häftad
- Språk: Engelska
- Serie: Penguin Modern Classics
- Antal sidor: 256
- Förlag: Penguin Books Ltd
- ISBN: 9780241505427
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Len Deighton was born in 1929 in London. He did his national service in the RAF, went to the Royal College of Art and designed many book jackets, including the original UK edition of Jack Kerouac's On the Road. The enormous success of his first spy novel, The IPCRESS File (1962), was repeated in a remarkable sequence of books over the following decades. These varied from historical fiction (Bomber, perhaps his greatest novel) to dystopian alternative fiction (SS-GB) and a number of brilliant non-fiction books on the Second World War (Fighter, Blitzkrieg and Blood, Tears and Folly). His spy novels chart the twists and turns of Britain and the Cold War in ways which now give them a unique flavour. They preserve a world in which Europe contains many dictatorships, in which the personal can be ruined by the ideological and where the horrors of the Second World War are buried under only a very thin layer of soil. Deighton's fascination with technology, his sense of humour and his brilliant evocation of time and place make him one of the key British espionage writers, alongside John Buchan, Eric Ambler, Ian Fleming and John Le Carré.
Recensioner i media
They don't, as they say, write them like this anymore. You will be entertained, informed, thrilled and dazzled. Long may he, and his creations, live on.
Betyg & recensioner
1 recensioner, genomsnitt 2/5
- 2/5 Tomas H
I got to know Deighton through the Bernard Samson series which I highly recommend. I somewhat foolishly purchased "The "Ipcress File" much later, unaware that this was his first book . It is obvously a first attempt. The plot is OK, but the characters are sketchy and caricaturized in the extreme. He was obvously working hard to adopt a "hard-boiled" style, which has gone overboard. The writing is infused with overworked, irrelevant and tedious details and references that are simply annoying. I found myself skipping large segments of text.
It is if he was trying too much to impress the reader, rather than conveying something useful and readable.
Skip this premature attempt and go to the Samson series instead