Biyi Bandele was a novelist, playwright and filmmaker. He was the author of the novels, The Man Who Came in From the Back of Beyond, The Street, The Sympathetic Undertaker, Burma Boy and Yoruba Boy Running. His directorial debut was with Half of a Yellow Sun, based on the 2006 novel of the same name by Chimamanda Ngozi Adichie. Biyi Bandele passed away in 2022.

Riotous, exquisite, mesmerizing . . . Bándélé’s prose mutates in tone from exuberance to sobriety, from the epic to the intimate, from bawdy humour to glacial understatement . . . [he] shifts from farce to tragedy and back, with lewd jokes suddenly giving way to scenes of sheer terror or gruesome violence . . . Yorùbá Boy Running doesn’t pander to any fixed position: it is a testament to Biyi Bándélé’s courage and integrity that, in this age of strident polarization, he chose not to shy away from moral complexity

Biyi Bandele was a novelist, playwright and filmmaker. He was the author of the novels, The Man Who Came in From the Back of Beyond, The Street, The Sympathetic Undertaker, Burma Boy and Yoruba Boy Running. His directorial debut was with Half of a Yellow Sun, based on the 2006 novel of the same name by Chimamanda Ngozi Adichie. Biyi Bandele passed away in 2022.

Riotous, exquisite, mesmerizing . . . Bándélé’s prose mutates in tone from exuberance to sobriety, from the epic to the intimate, from bawdy humour to glacial understatement . . . [he] shifts from farce to tragedy and back, with lewd jokes suddenly giving way to scenes of sheer terror or gruesome violence . . . Yorùbá Boy Running doesn’t pander to any fixed position: it is a testament to Biyi Bándélé’s courage and integrity that, in this age of strident polarization, he chose not to shy away from moral complexity

Biyi Bandele was a novelist, playwright and filmmaker. He was the author of the novels, The Man Who Came in From the Back of Beyond, The Street, The Sympathetic Undertaker, Burma Boy and Yoruba Boy Running. His directorial debut was with Half of a Yellow Sun, based on the 2006 novel of the same name by Chimamanda Ngozi Adichie. Biyi Bandele passed away in 2022.

Riotous, exquisite, mesmerizing . . . Bándélé’s prose mutates in tone from exuberance to sobriety, from the epic to the intimate, from bawdy humour to glacial understatement . . . [he] shifts from farce to tragedy and back, with lewd jokes suddenly giving way to scenes of sheer terror or gruesome violence . . . Yorùbá Boy Running doesn’t pander to any fixed position: it is a testament to Biyi Bándélé’s courage and integrity that, in this age of strident polarization, he chose not to shy away from moral complexity