Operational Art

B.J.C. MCKERCHER is Associate Professor of History at the Royal Military College of Canada. An expert in modern British foreign and defense policy, he has recently co-edited (with Lawrence Aronson) The North Atlantic Triangle in a Changing World: Anglo-American-Canadian Relations, 1903-1956 (1995). He is also general editor of the Praeger Series in Diplomacy and Strategic Thought.MICHAEL A. HENNESSY is an Assistant Professor of Naval and Military History at the Royal Military College of Canada. Specializing in the history of technology, low intensity conflict and international security studies, he has published widely on Canadian defense issues.

• Introduction by M.A. Hennessy and B.J.C. McKercherThe Operational Art: Development in the Theories of War by John EnglishThe Operational Art and the Elder Moltke's Campaign Plan for the Franco-Prussian War by Bradley J. MeyerTwo Views of Warsaw: The Russian Civil War and Soviet Operational Art, 1920-1932 by Jacob KippOperational Art and the Canadian Army's Way of War by William McAndrewOperational Methods of the French Armed Forces, 1945-1970 by Sabine Marie DecupThe Intellectual Dimension of Soviet (Russian) Operational Art by David M. GlantzFilling the Void: The Operational Art and the U.S. Army by Richard M. Swain"The Revolution in Military Affairs": Its Implications for Doctrine and Force Within the U.S. Army by Stéphane Lefebvre, Michel Fortman, and Thierry GongoraCommentary on the Operational Art by Charles F. Brower, IVSelected Bibliography