Christopher R. Fee is Johnson Distinguished Teaching Professor in the Humanities at Gettysburg College, Gettysburg, PA.

"Christopher Fee intends the multicultural juxtaposition of medieval heroes to convey a sense of narrative continuity across civilizations and common cultural ancestry. Explicitly claiming its intended audience to be ' nonspecialists ' , the book advances trends towards globalization and internationalism by broadening the popular understanding of ' medieval' to include non-Western European societies. As a reference book, it might be compared to a modernized Bullfinch's Mythology—one with twenty-first-century values and an updated bibliography. Fee's enthusiasm for the material is contagious, and the summaries of medieval tales make for entertaining reading. This book will most likely inspire readers who are new to medieval studies to seek out the primary-source material and read it more closely.

Christopher R. Fee is Johnson Distinguished Teaching Professor in the Humanities at Gettysburg College, Gettysburg, PA.

"Christopher Fee intends the multicultural juxtaposition of medieval heroes to convey a sense of narrative continuity across civilizations and common cultural ancestry. Explicitly claiming its intended audience to be ' nonspecialists ' , the book advances trends towards globalization and internationalism by broadening the popular understanding of ' medieval' to include non-Western European societies. As a reference book, it might be compared to a modernized Bullfinch's Mythology—one with twenty-first-century values and an updated bibliography. Fee's enthusiasm for the material is contagious, and the summaries of medieval tales make for entertaining reading. This book will most likely inspire readers who are new to medieval studies to seek out the primary-source material and read it more closely.

Christopher R. Fee is Johnson Distinguished Teaching Professor in the Humanities at Gettysburg College, Gettysburg, PA.

"Christopher Fee intends the multicultural juxtaposition of medieval heroes to convey a sense of narrative continuity across civilizations and common cultural ancestry. Explicitly claiming its intended audience to be ' nonspecialists ' , the book advances trends towards globalization and internationalism by broadening the popular understanding of ' medieval' to include non-Western European societies. As a reference book, it might be compared to a modernized Bullfinch's Mythology—one with twenty-first-century values and an updated bibliography. Fee's enthusiasm for the material is contagious, and the summaries of medieval tales make for entertaining reading. This book will most likely inspire readers who are new to medieval studies to seek out the primary-source material and read it more closely.