Greil Marcus has written many books, including Mystery Train: Images of America in Rock & Roll Music and Lipstick Traces: A Secret History of the Twentieth Century, and is the editor, with Werner Sollors, of A New Literary History of America. He teaches at the University of California, Berkeley, and the Graduate Center at the City University of New York. He lives in Oakland, CA.

"This could be Marcus’ most inviting book: Emotion paces erudition, and the present gets to ride shotgun with the past, real and imagined."—Will Hermes, Rolling Stone"Marcus is our greatest cultural critic, not only because of what he says but also, as with rock-and-roll itself, how he says it."—David Kirby, The Washington Post"In his new book, which is surely one of his best and most beautifully written, Marcus revisits ten songs, recorded during the last sixty years, some of them long forgotten, in order to capture the pulsating and powerful language of rock 'n' roll. . . . The book, I am certain, will compel readers to return to the songs Marcus has anointed, and to others. Even if they have heard them before, they will listen to them as if for the first time."—Glenn C. Altschuler, The Huffington Post"Marcus, of course, is one of the epic figures in rock writing. . . . Like so many of Marcus’s previous books, The History of Rock ‘n’ Roll in Ten Songs often feels like a tone poem or perhaps a written embodiment of the cultural memory.  He flows through the songs and musicians he loves as if creating a waking dream crowded with the stars of rock history."—Touré, The New York Times Book Review"Revolutionary."—Elissa Schappell, Vanity Fair"For Marcus, every great song is a Rosetta Stone, an esoteric code. This approach gives him great imaginative, literary breadth. . . . Out of Marcus’ dozen or so books, Ten Songs is the purest distillation of his ideas. . . . The chapters on Joy Division, on Buddy Holly, and on the two ‘Money' songs are tours de force."—Carl Wilson, Slate"True musos need little introduction to Marcus, whose meditations on the rock and pop canon have delighted many. . . . Here, he is at his most ambitious and obtuse, defying the obvious choices to map an alternative history of popular music."—Louis Wise, The Sunday Times"No writer puts you inside the experience of music the way Greil Marcus does. His descriptions of songs, especially, unfold like thrillers or romantic rhapsodies, sucking you in and revealing aspects of each beat or vocal trill that you'd never have noticed on your own. As the most esteemed music writer of his generation, Marcus has made a career of challenging conventional wisdom on everything from Elvis to punk to Bob Dylan's Basement Tapes. . . . It's so much fun to let him drag your brain onto the dance floor."—Ann Powers, NPR.com"Try telling a teenager who’s just heard ‘Black Dog’ for the first time that rock ’n’ roll is dead. Marcus knows it’s not. He maps recordings, re-recordings, and performances as if they’re veins belonging to the same body, warm and breathing and very much alive."—Lara Zarum, Bookforum.com"The book is really a series of essays, cunningly chiselled, lovingly woven, bold, tough and illuminating, the intention being ‘to feel one’s way through music as a field of expression and as a web of affinities.’"—Mark Ellen, New Statesman"Overall, it's a stunning, virtuosic performance, as good as any and better than most of what Greil Marcus has written since 1975's genre-redefining Mystery Train. It's a hectic, wild and occasionally bumpy ride, loaded with trapdoors and wormholes leading to unexpected places where you never quite know who you'll confront next, and where you'll immediately yearn to hear every record to which he alludes."—Charles Shaar Murray, Literary Review"He is . . . a serious writer, dedicated to unlocking the hidden truths and secret meanings in popular music, making those cultural connections to literature, film, and art and by doing so elevating rock and pop music to a discipline that demands to be taken seriously."—Andy Childs, Caught by the River blog"Marcus is a man in brainy love with the music. I don’t know of anyone else who writes as beautifully, and deeply, about songs and singing."—Roddy Doyle, The Irish Times"The title of the US critic’s latest playful, erudite and passionate work, The History of Rock n Roll in Ten Songs, should come with lurid neon inverts around each constituent part: 'The History' of 'Rock ‘n’ Roll' in Ten 'Songs.' It’s a magnificently subjective history, in which significant chunks are set outside the realm of rock, in pop or soul."—Kitty Empire, The Observer"His accounts of listening to these songs, of being transported in unearthly directions by them, show him to be as bewitched by this music as he ever was . . . The Mystery of Rock ‘n’ Roll in Ten Songs might have been a truer name for his latest inspired, wonder-struck book."—Paul Genders, TLS"Outside of these areas, Marcus tells many a good story as he plucks up some delightful music moments that will delight any music fan."—Tony Jasper, The Methodist Recorder"As emotional and intoxicatingly rich a troll’s nest of rabbit holes as anything Greil Marcus has written since Invisible Republic or even Lipstick Traces, this a book that deepens or refracts or turns on their heads a lot more than the ten songs (and the one history of the title)."—Mark Sinker, The Wire". . .Marcus’ prose demands attention. At least he’s saying something. And, when he nails it . . . he infuses the pages with all the energy, verve and urgency that is the rock’n’roll he’s so desperate to deconstruct."—Paul McGuinness, Record Collector"Marcus’s enthusiasm is on display, as is his tendency for eloquent hyperbole."—Chris Bourke, New Zealand ListenerWinner of the 2015 Deems Taylor Virgil Thomson Award in Music Criticism, given by the American Society of Composers, Authors & Publishers"You could go to the Rock and Roll Hall of Fame and take in the artifacts and roll call or you can read Greil Marcus’ kinetic, pulsing, brilliant history of this deeply American art form, The History of Rock ‘N’ Roll in Ten Songs. From his choice of which ten songs to explore to his invention of a kind of a listener’s lexicon—a new way of bending sound to language—Marcus captures why Rock and Roll resonates down to our bones."—Walter Mosley"When I was 18 and leaving home for college, my brother put one thing in my hand: a copy of Greil Marcus's Mystery Train. It changed my life. More than 20 years have passed, and he's still the Don, still connecting caves. He's as good on Beyoncé in this new book as he was on Harmonica Frank back then, but the range of associations is wider, the mind making them deeper, and the deceptively jazzy precision of his prose sharper. He's a treasure."—John Jeremiah Sullivan"Greil Marcus lingers inside a song, following it from the first utterance to the last note, through performances across time, to give us the context, meaning, and interpretation not only of the song but of peoples and nations as well. His is an unconventional, fearless chronicle of the famous and the less well-known, the sacred and the profane, of the limitations and full-blown possibilities."—Farah Jasmine Griffin"A great essay begins with a theme and then makes it fly. Greil Marcus can make it soar.  In The History of Rock ‘n’ Roll in Ten Songs he does just that. He says of Amy Winehouse that she could unlock a song. Marcus unlocks rock ‘n’ roll history to find more than you ever thought might be there."—Jenny Diski"I first heard Elvis in early 1956 in a school corridor in Norfolk, England. I knew something profound had happened. Where was Greil Marcus back in those Dark Ages to explain to me what was going on? He knows everything and tells an electrifying story."—Stephen Frears

Greil Marcus has written many books, including Mystery Train: Images of America in Rock & Roll Music and Lipstick Traces: A Secret History of the Twentieth Century, and is the editor, with Werner Sollors, of A New Literary History of America. He teaches at the University of California, Berkeley, and the Graduate Center at the City University of New York. He lives in Oakland, CA.

"This could be Marcus’ most inviting book: Emotion paces erudition, and the present gets to ride shotgun with the past, real and imagined."—Will Hermes, Rolling Stone"Marcus is our greatest cultural critic, not only because of what he says but also, as with rock-and-roll itself, how he says it."—David Kirby, The Washington Post"In his new book, which is surely one of his best and most beautifully written, Marcus revisits ten songs, recorded during the last sixty years, some of them long forgotten, in order to capture the pulsating and powerful language of rock 'n' roll. . . . The book, I am certain, will compel readers to return to the songs Marcus has anointed, and to others. Even if they have heard them before, they will listen to them as if for the first time."—Glenn C. Altschuler, The Huffington Post"Marcus, of course, is one of the epic figures in rock writing. . . . Like so many of Marcus’s previous books, The History of Rock ‘n’ Roll in Ten Songs often feels like a tone poem or perhaps a written embodiment of the cultural memory.  He flows through the songs and musicians he loves as if creating a waking dream crowded with the stars of rock history."—Touré, The New York Times Book Review"Revolutionary."—Elissa Schappell, Vanity Fair"For Marcus, every great song is a Rosetta Stone, an esoteric code. This approach gives him great imaginative, literary breadth. . . . Out of Marcus’ dozen or so books, Ten Songs is the purest distillation of his ideas. . . . The chapters on Joy Division, on Buddy Holly, and on the two ‘Money' songs are tours de force."—Carl Wilson, Slate"True musos need little introduction to Marcus, whose meditations on the rock and pop canon have delighted many. . . . Here, he is at his most ambitious and obtuse, defying the obvious choices to map an alternative history of popular music."—Louis Wise, The Sunday Times"No writer puts you inside the experience of music the way Greil Marcus does. His descriptions of songs, especially, unfold like thrillers or romantic rhapsodies, sucking you in and revealing aspects of each beat or vocal trill that you'd never have noticed on your own. As the most esteemed music writer of his generation, Marcus has made a career of challenging conventional wisdom on everything from Elvis to punk to Bob Dylan's Basement Tapes. . . . It's so much fun to let him drag your brain onto the dance floor."—Ann Powers, NPR.com"Try telling a teenager who’s just heard ‘Black Dog’ for the first time that rock ’n’ roll is dead. Marcus knows it’s not. He maps recordings, re-recordings, and performances as if they’re veins belonging to the same body, warm and breathing and very much alive."—Lara Zarum, Bookforum.com"The book is really a series of essays, cunningly chiselled, lovingly woven, bold, tough and illuminating, the intention being ‘to feel one’s way through music as a field of expression and as a web of affinities.’"—Mark Ellen, New Statesman"Overall, it's a stunning, virtuosic performance, as good as any and better than most of what Greil Marcus has written since 1975's genre-redefining Mystery Train. It's a hectic, wild and occasionally bumpy ride, loaded with trapdoors and wormholes leading to unexpected places where you never quite know who you'll confront next, and where you'll immediately yearn to hear every record to which he alludes."—Charles Shaar Murray, Literary Review"He is . . . a serious writer, dedicated to unlocking the hidden truths and secret meanings in popular music, making those cultural connections to literature, film, and art and by doing so elevating rock and pop music to a discipline that demands to be taken seriously."—Andy Childs, Caught by the River blog"Marcus is a man in brainy love with the music. I don’t know of anyone else who writes as beautifully, and deeply, about songs and singing."—Roddy Doyle, The Irish Times"The title of the US critic’s latest playful, erudite and passionate work, The History of Rock n Roll in Ten Songs, should come with lurid neon inverts around each constituent part: 'The History' of 'Rock ‘n’ Roll' in Ten 'Songs.' It’s a magnificently subjective history, in which significant chunks are set outside the realm of rock, in pop or soul."—Kitty Empire, The Observer"His accounts of listening to these songs, of being transported in unearthly directions by them, show him to be as bewitched by this music as he ever was . . . The Mystery of Rock ‘n’ Roll in Ten Songs might have been a truer name for his latest inspired, wonder-struck book."—Paul Genders, TLS"Outside of these areas, Marcus tells many a good story as he plucks up some delightful music moments that will delight any music fan."—Tony Jasper, The Methodist Recorder"As emotional and intoxicatingly rich a troll’s nest of rabbit holes as anything Greil Marcus has written since Invisible Republic or even Lipstick Traces, this a book that deepens or refracts or turns on their heads a lot more than the ten songs (and the one history of the title)."—Mark Sinker, The Wire". . .Marcus’ prose demands attention. At least he’s saying something. And, when he nails it . . . he infuses the pages with all the energy, verve and urgency that is the rock’n’roll he’s so desperate to deconstruct."—Paul McGuinness, Record Collector"Marcus’s enthusiasm is on display, as is his tendency for eloquent hyperbole."—Chris Bourke, New Zealand ListenerWinner of the 2015 Deems Taylor Virgil Thomson Award in Music Criticism, given by the American Society of Composers, Authors & Publishers"You could go to the Rock and Roll Hall of Fame and take in the artifacts and roll call or you can read Greil Marcus’ kinetic, pulsing, brilliant history of this deeply American art form, The History of Rock ‘N’ Roll in Ten Songs. From his choice of which ten songs to explore to his invention of a kind of a listener’s lexicon—a new way of bending sound to language—Marcus captures why Rock and Roll resonates down to our bones."—Walter Mosley"When I was 18 and leaving home for college, my brother put one thing in my hand: a copy of Greil Marcus's Mystery Train. It changed my life. More than 20 years have passed, and he's still the Don, still connecting caves. He's as good on Beyoncé in this new book as he was on Harmonica Frank back then, but the range of associations is wider, the mind making them deeper, and the deceptively jazzy precision of his prose sharper. He's a treasure."—John Jeremiah Sullivan"Greil Marcus lingers inside a song, following it from the first utterance to the last note, through performances across time, to give us the context, meaning, and interpretation not only of the song but of peoples and nations as well. His is an unconventional, fearless chronicle of the famous and the less well-known, the sacred and the profane, of the limitations and full-blown possibilities."—Farah Jasmine Griffin"A great essay begins with a theme and then makes it fly. Greil Marcus can make it soar.  In The History of Rock ‘n’ Roll in Ten Songs he does just that. He says of Amy Winehouse that she could unlock a song. Marcus unlocks rock ‘n’ roll history to find more than you ever thought might be there."—Jenny Diski"I first heard Elvis in early 1956 in a school corridor in Norfolk, England. I knew something profound had happened. Where was Greil Marcus back in those Dark Ages to explain to me what was going on? He knows everything and tells an electrifying story."—Stephen Frears