ELISABETH ANNE LEONARD received an M.F.A. from the University of Pittsburgh and is presently a doctoral candidate in English at Kent State University. She has articles forthcoming in CCC (May, 1997) and Extrapolation (1998).

• Introduction: "Into Darkness Peering"--Race and Color in the Fantastic by Elisabeth Anne LeonardMixed Genres and True Heritages: From Trollope's Ralph the Heir to Delany's Dhalgren by Donald M. HasslerOctavia E. Butler: Parables of Race and Difference by Teri Ann DoerksenExploring Color-Coding at the Beginning and End of the Twentieth Century in Ursula Le Guin's The Left Hand of Darkness and Joseph Conrad's Heart of Darkness by Lisbeth Gant-BrittonRace and Color Coding in Leslie F. Stone's "The Human Pets of Mars": Reflections for the Repertoire of the Multicultural Classroom by Batya Weinbaum"You Don't Know What You Are Talking About": Robert A. Heinlein and the Racism of American Science Fiction by Gary WestfahlRace and Subjectivity in Science Fiction: Deterritorializing the Self/Other Dichotomy by Ellen BishopThe Excesses of Cyberpunk: Why No One Mentions Race in Cyberspace by Philip E. BaruthCreole Identity Politics, Race, and Star Trek: Voyager by Neal BakerReclaiming the Invisible World: Maryse Condé's I, Tituba, Black Witch of Salem by Faye RingelReading King Darkly: Issues of Race in Stephen King's Novels by Samantha FigliolaEnlightening the Alien Savages: Colonialism in the Novels of Robert Silverberg by John Flodstrom"Differences Make Me Curious": Race, Sexuality, and Class in The Chronicles of Tornor by Elisabeth Anne LeonardIndexContributors

ELISABETH ANNE LEONARD received an M.F.A. from the University of Pittsburgh and is presently a doctoral candidate in English at Kent State University. She has articles forthcoming in CCC (May, 1997) and Extrapolation (1998).

• Introduction: "Into Darkness Peering"--Race and Color in the Fantastic by Elisabeth Anne LeonardMixed Genres and True Heritages: From Trollope's Ralph the Heir to Delany's Dhalgren by Donald M. HasslerOctavia E. Butler: Parables of Race and Difference by Teri Ann DoerksenExploring Color-Coding at the Beginning and End of the Twentieth Century in Ursula Le Guin's The Left Hand of Darkness and Joseph Conrad's Heart of Darkness by Lisbeth Gant-BrittonRace and Color Coding in Leslie F. Stone's "The Human Pets of Mars": Reflections for the Repertoire of the Multicultural Classroom by Batya Weinbaum"You Don't Know What You Are Talking About": Robert A. Heinlein and the Racism of American Science Fiction by Gary WestfahlRace and Subjectivity in Science Fiction: Deterritorializing the Self/Other Dichotomy by Ellen BishopThe Excesses of Cyberpunk: Why No One Mentions Race in Cyberspace by Philip E. BaruthCreole Identity Politics, Race, and Star Trek: Voyager by Neal BakerReclaiming the Invisible World: Maryse Condé's I, Tituba, Black Witch of Salem by Faye RingelReading King Darkly: Issues of Race in Stephen King's Novels by Samantha FigliolaEnlightening the Alien Savages: Colonialism in the Novels of Robert Silverberg by John Flodstrom"Differences Make Me Curious": Race, Sexuality, and Class in The Chronicles of Tornor by Elisabeth Anne LeonardIndexContributors

ELISABETH ANNE LEONARD received an M.F.A. from the University of Pittsburgh and is presently a doctoral candidate in English at Kent State University. She has articles forthcoming in CCC (May, 1997) and Extrapolation (1998).

• Introduction: "Into Darkness Peering"--Race and Color in the Fantastic by Elisabeth Anne LeonardMixed Genres and True Heritages: From Trollope's Ralph the Heir to Delany's Dhalgren by Donald M. HasslerOctavia E. Butler: Parables of Race and Difference by Teri Ann DoerksenExploring Color-Coding at the Beginning and End of the Twentieth Century in Ursula Le Guin's The Left Hand of Darkness and Joseph Conrad's Heart of Darkness by Lisbeth Gant-BrittonRace and Color Coding in Leslie F. Stone's "The Human Pets of Mars": Reflections for the Repertoire of the Multicultural Classroom by Batya Weinbaum"You Don't Know What You Are Talking About": Robert A. Heinlein and the Racism of American Science Fiction by Gary WestfahlRace and Subjectivity in Science Fiction: Deterritorializing the Self/Other Dichotomy by Ellen BishopThe Excesses of Cyberpunk: Why No One Mentions Race in Cyberspace by Philip E. BaruthCreole Identity Politics, Race, and Star Trek: Voyager by Neal BakerReclaiming the Invisible World: Maryse Condé's I, Tituba, Black Witch of Salem by Faye RingelReading King Darkly: Issues of Race in Stephen King's Novels by Samantha FigliolaEnlightening the Alien Savages: Colonialism in the Novels of Robert Silverberg by John Flodstrom"Differences Make Me Curious": Race, Sexuality, and Class in The Chronicles of Tornor by Elisabeth Anne LeonardIndexContributors