ERNST HONIGMANN taught English Literature at the Shakespeare Institute (University of Birmingham), University of Glasgow, and (as Joseph Cowen Professor) at the University of Newcastle upon Tyne. He is the author of many books on Shakespeare and his contemporaries.

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• Acknowledgements Preface to the Second Edition A Note on Dates and Definitions Introduction: Shakespeare and the Study of Response Impressions of 'Character' Response and Dramatic Perspective Sympathy for Brutus Hamlet as Observer and Consciousness Secret Motives in Othello Lear's Mind Macbeth : The Murderer as Victim Antony versus Cleopatra The Clarity of Coriolanus Henry V: The Rabbit and the Duck The Charm of As You Like It The Study of the Audience and the Study of Response Conclusion Notes Index of Names Index of Technical Terms

ERNST HONIGMANN taught English Literature at the Shakespeare Institute (University of Birmingham), University of Glasgow, and (as Joseph Cowen Professor) at the University of Newcastle upon Tyne. He is the author of many books on Shakespeare and his contemporaries.

Select Guide Rating

• Acknowledgements Preface to the Second Edition A Note on Dates and Definitions Introduction: Shakespeare and the Study of Response Impressions of 'Character' Response and Dramatic Perspective Sympathy for Brutus Hamlet as Observer and Consciousness Secret Motives in Othello Lear's Mind Macbeth : The Murderer as Victim Antony versus Cleopatra The Clarity of Coriolanus Henry V: The Rabbit and the Duck The Charm of As You Like It The Study of the Audience and the Study of Response Conclusion Notes Index of Names Index of Technical Terms

ERNST HONIGMANN taught English Literature at the Shakespeare Institute (University of Birmingham), University of Glasgow, and (as Joseph Cowen Professor) at the University of Newcastle upon Tyne. He is the author of many books on Shakespeare and his contemporaries.

Select Guide Rating

• Acknowledgements Preface to the Second Edition A Note on Dates and Definitions Introduction: Shakespeare and the Study of Response Impressions of 'Character' Response and Dramatic Perspective Sympathy for Brutus Hamlet as Observer and Consciousness Secret Motives in Othello Lear's Mind Macbeth : The Murderer as Victim Antony versus Cleopatra The Clarity of Coriolanus Henry V: The Rabbit and the Duck The Charm of As You Like It The Study of the Audience and the Study of Response Conclusion Notes Index of Names Index of Technical Terms