Lorca in English

A History of Manipulation through Translation

AvAndrew Samuel Walsh

Häftad, Engelska, 2021

Del i serien Routledge Interdisciplinary Perspectives on Literature

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Beskrivning

Lorca in English examines the evolution of translations of Federico García Lorca into English as a case of rewriting and manipulation through politically and ideologically motivated translation. As new translations of Federico García Lorca continue to appear in the English-speaking world and his literary reputation continues to be rewritten through these successive re-translations, this book explores the reasons for this constant desire to rewrite Lorca since the time of his murder right into the 21st century. From his representation as the quintessential Spanish Republican martyr, to his adoption through translation by the Beat Generation, to his elevation to iconic status within the Queer Studies movement, this volume analyzes the reasons for this evolution and examines the current direction into which this canonical author is heading in the English-speaking world.

Produktinformation

Utgivningsdatum:2021-11-29
Mått:152 x 229 x 20 mm
Vikt:453 g
Format:Häftad
Språk:Engelska
Serie:Routledge Interdisciplinary Perspectives on Literature
Antal sidor:206
Förlag:Taylor & Francis Ltd
ISBN:9780367531393

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Mer om författaren

Andrew Samuel Walsh is a lecturer at Comillas Pontifical University Madrid and is the author of three books and numerous articles in the field of Translation Studies and Comparative Literature, including Jaime Gil de Biedma and the Anglo-American Tradition and Literary Retranslation in Context, and several publications on the history of Lorca in English translation.

Innehållsförteckning

IntroductionChapter 1. ‘Lorca cannot be Englished’ – some reflections on translation and translatability and canonicityChapter 2. Lorca and his intelligent American friends’ - early translations and reception in the pre-Civil War yearsChapter 3. ‘The martyrdom of an entire people’ –Canonization and (self) censorship (in the post-civil war years)Chapter 4. ‘And you, Garcia Lorca, what were you doing down by the watermelons?’ – The Beat Generation’s adoption of a Spanish ‘Surrealist’Chapter 5. Everybody says I love Lorca - Democracy and the Transition Chapter 6. ‘The fairy son of Whitman’ - the creation of a gay icon Chapter 7. ‘The Mask arrives on Wall Street’ - New York and 9/11 Chapter 8. ‘The King of Harlem sings with the crowd’. Lorca and the perils of cultural appropriation in the 21st centuryConclusions