Toby Garfitt

• Introduction 1. Anatomie et étymologie: Ordre et désordre du rire selon Laurent Joubert 2. The Sound of Laughter: Recent Concepts and Findings in Research into Laughter Vocalizations 3. Why Can't You Tickle Yourself? 4. Belly Laughs 5. Upping the Ante/i: Exaggeration in Céline and Vallès 6. Humour Styles and Class Cultures: Highbrow Humour and Lowbrow Humour in the Netherlands 7. Searching for Jokes: Language, Translation, and the Cross-Cultural Comparison of Humour 8. And What If They Don't Laugh? 9. Without the Rape the Talk-Show Would Not Be Laughable 10. Translating a Great Feast of Languages 11. Traduire le rire 12. Rire et désir dans les comédies américaines de Lubitsch: L’exemple de Ninotchka (1939) 13. What's So Funny? On Being Laughed At... 14. Laughing and Talking 15. Le Rire comme accident en peinture 16. La Couleur du rire: Peinture et traduction 17. Views on the Physics and Metaphysics of Laughter

Toby Garfitt

• Introduction 1. Anatomie et étymologie: Ordre et désordre du rire selon Laurent Joubert 2. The Sound of Laughter: Recent Concepts and Findings in Research into Laughter Vocalizations 3. Why Can't You Tickle Yourself? 4. Belly Laughs 5. Upping the Ante/i: Exaggeration in Céline and Vallès 6. Humour Styles and Class Cultures: Highbrow Humour and Lowbrow Humour in the Netherlands 7. Searching for Jokes: Language, Translation, and the Cross-Cultural Comparison of Humour 8. And What If They Don't Laugh? 9. Without the Rape the Talk-Show Would Not Be Laughable 10. Translating a Great Feast of Languages 11. Traduire le rire 12. Rire et désir dans les comédies américaines de Lubitsch: L’exemple de Ninotchka (1939) 13. What's So Funny? On Being Laughed At... 14. Laughing and Talking 15. Le Rire comme accident en peinture 16. La Couleur du rire: Peinture et traduction 17. Views on the Physics and Metaphysics of Laughter