A.D. Cousins is Emeritus Professor at Macquarie University, Sydney, a Fellow of the Australian Academy of the Humanities and a Member of the Order of Australia. He has published eighteen books including monographs on Andrew Marvell, Thomas More, Shakespeare's non-dramatic verse, mythologies of internal exile in Elizabethan non-dramatic verse, and on religious verse of the sixteenth and seventeenth centuries. He is on the Editorial Board of Moreana (Edinburgh University), the international journal of More studies, as well as of the Australian journal JLLC (Monash University). He has been a Visiting Professor at Beijing University of Chemical Technology, Visiting Adjunct Professor at the Renaissance Studies Center at the University of Massachusetts, a Visiting Scholar at Princeton and at Penn State, and a Library Fellow at the Library of the University of Wisconsin-Madison, where he was also an Honorary Fellow at the Institute for Research in the Humanities. He holds doctorates in both English Literature and Political Theory. Daniel Derrin is currently an honorary research fellow in the Department of English Studies at Durham University. Prior to research and teaching fellowships at Durham, he was the S. Ernest Sprott fellow for 2014–15 (University of Melbourne), and an Associate Investigator for the Australian Research Council’s Centre for the History of Emotions (2013-15). He is the author of Rhetoric and the Familiar in Francis Bacon and John Donne (2013), co-editor with A.D. Cousins of Shakespeare and the Soliloquy in Early Modern English Drama (2018), and co-editor with Hannah Burrows of The Palgrave Handbook of Humour, History, and Methodology (forthcoming, 2021).

• Introduction – A. D. Cousins and Daniel Derrin1. Pope, Verrio and Hampton Court: The Stuart Monarch in The Rape of the Lock and Windsor-Forest – Pat Rogers2. Sheep and Wolf: Pope, Philips and the Pastorals Revisited – Brean Hammond 3. Pope’s Precocious Decade: Models of Literary History for the Age of Queen Anne – Philip Smallwood4. ‘Alexander, have a care’: Anne Finch as Alexander Pope’s Mentor – Claudia Thomas Kairoff5. Hyperbolic Worlds: The Legacy of Edmund Waller in Alexander Pope’s The Rape of the Lock – Ivana Bičak6. Pope and Chaucer: Reconstructing The House of Fame in the Reign of Queen Anne – A.D. Cousins7. The Labours of the Passions in The Rape of the Lock – Kathryn Walls 8. Painting Deformed Portraits: Humour in Pope’s Early Prose – Daniel Derrin 9. Renewing the Classics in the Age of Queen Anne: The Making of Pope’s Iliad – Donald W. Nichol Conclusion – A. D. Cousins and Daniel Derrin

A.D. Cousins is Emeritus Professor at Macquarie University, Sydney, a Fellow of the Australian Academy of the Humanities and a Member of the Order of Australia. He has published eighteen books including monographs on Andrew Marvell, Thomas More, Shakespeare's non-dramatic verse, mythologies of internal exile in Elizabethan non-dramatic verse, and on religious verse of the sixteenth and seventeenth centuries. He is on the Editorial Board of Moreana (Edinburgh University), the international journal of More studies, as well as of the Australian journal JLLC (Monash University). He has been a Visiting Professor at Beijing University of Chemical Technology, Visiting Adjunct Professor at the Renaissance Studies Center at the University of Massachusetts, a Visiting Scholar at Princeton and at Penn State, and a Library Fellow at the Library of the University of Wisconsin-Madison, where he was also an Honorary Fellow at the Institute for Research in the Humanities. He holds doctorates in both English Literature and Political Theory. Daniel Derrin is currently an honorary research fellow in the Department of English Studies at Durham University. Prior to research and teaching fellowships at Durham, he was the S. Ernest Sprott fellow for 2014–15 (University of Melbourne), and an Associate Investigator for the Australian Research Council’s Centre for the History of Emotions (2013-15). He is the author of Rhetoric and the Familiar in Francis Bacon and John Donne (2013), co-editor with A.D. Cousins of Shakespeare and the Soliloquy in Early Modern English Drama (2018), and co-editor with Hannah Burrows of The Palgrave Handbook of Humour, History, and Methodology (forthcoming, 2021).

• Introduction – A. D. Cousins and Daniel Derrin1. Pope, Verrio and Hampton Court: The Stuart Monarch in The Rape of the Lock and Windsor-Forest – Pat Rogers2. Sheep and Wolf: Pope, Philips and the Pastorals Revisited – Brean Hammond 3. Pope’s Precocious Decade: Models of Literary History for the Age of Queen Anne – Philip Smallwood4. ‘Alexander, have a care’: Anne Finch as Alexander Pope’s Mentor – Claudia Thomas Kairoff5. Hyperbolic Worlds: The Legacy of Edmund Waller in Alexander Pope’s The Rape of the Lock – Ivana Bičak6. Pope and Chaucer: Reconstructing The House of Fame in the Reign of Queen Anne – A.D. Cousins7. The Labours of the Passions in The Rape of the Lock – Kathryn Walls 8. Painting Deformed Portraits: Humour in Pope’s Early Prose – Daniel Derrin 9. Renewing the Classics in the Age of Queen Anne: The Making of Pope’s Iliad – Donald W. Nichol Conclusion – A. D. Cousins and Daniel Derrin

A.D. Cousins is Emeritus Professor at Macquarie University, Sydney, a Fellow of the Australian Academy of the Humanities and a Member of the Order of Australia. He has published eighteen books including monographs on Andrew Marvell, Thomas More, Shakespeare's non-dramatic verse, mythologies of internal exile in Elizabethan non-dramatic verse, and on religious verse of the sixteenth and seventeenth centuries. He is on the Editorial Board of Moreana (Edinburgh University), the international journal of More studies, as well as of the Australian journal JLLC (Monash University). He has been a Visiting Professor at Beijing University of Chemical Technology, Visiting Adjunct Professor at the Renaissance Studies Center at the University of Massachusetts, a Visiting Scholar at Princeton and at Penn State, and a Library Fellow at the Library of the University of Wisconsin-Madison, where he was also an Honorary Fellow at the Institute for Research in the Humanities. He holds doctorates in both English Literature and Political Theory. Daniel Derrin is currently an honorary research fellow in the Department of English Studies at Durham University. Prior to research and teaching fellowships at Durham, he was the S. Ernest Sprott fellow for 2014–15 (University of Melbourne), and an Associate Investigator for the Australian Research Council’s Centre for the History of Emotions (2013-15). He is the author of Rhetoric and the Familiar in Francis Bacon and John Donne (2013), co-editor with A.D. Cousins of Shakespeare and the Soliloquy in Early Modern English Drama (2018), and co-editor with Hannah Burrows of The Palgrave Handbook of Humour, History, and Methodology (forthcoming, 2021).

• Introduction – A. D. Cousins and Daniel Derrin1. Pope, Verrio and Hampton Court: The Stuart Monarch in The Rape of the Lock and Windsor-Forest – Pat Rogers2. Sheep and Wolf: Pope, Philips and the Pastorals Revisited – Brean Hammond 3. Pope’s Precocious Decade: Models of Literary History for the Age of Queen Anne – Philip Smallwood4. ‘Alexander, have a care’: Anne Finch as Alexander Pope’s Mentor – Claudia Thomas Kairoff5. Hyperbolic Worlds: The Legacy of Edmund Waller in Alexander Pope’s The Rape of the Lock – Ivana Bičak6. Pope and Chaucer: Reconstructing The House of Fame in the Reign of Queen Anne – A.D. Cousins7. The Labours of the Passions in The Rape of the Lock – Kathryn Walls 8. Painting Deformed Portraits: Humour in Pope’s Early Prose – Daniel Derrin 9. Renewing the Classics in the Age of Queen Anne: The Making of Pope’s Iliad – Donald W. Nichol Conclusion – A. D. Cousins and Daniel Derrin