Michele Marrapodi is Full Professor of English Language and Literature, and History of English Drama, in the Department of Scienze Umanistiche at the University of Palermo.

• CONTENTSList of FiguresNotes on ContributorsAcknowledgmentsIntroduction:Timon of Athens. The Theatre and the VisualMichele MarrapodiPART I: INTERMEDIALITY: VISUALITY AND DRAMA1 Shakespeare the EmblematistClaudia Corti2 Titus Andronicus and Renaissance Visual Culture: Contemporary Emblems of Hand and Ekphrasis Paromita Deb3 "All Adonises must die": Shakespeare’s Venus and Adonis and the Episodic ImaginaryPeter Latka4 Shakespeare’s Octavia and Cleopatra: Between Stasis and MovementOlivia Coulomb5 Both Goddess and Woman: Cleopatra and VenusHanna Scolnicov 6 Vanishing Points and Horizons of Audience Perception in Shakespeare’s Late Plays Claire T. Guéron PART II: SHAKESPEARE’S USE OF THE VISUAL7 "Pencill’d pensiveness and colour’d sorrow": Italian Visual Arts and Ekphrastic Tension in Othello, Cymbeline, and Lucrece Michele Marrapodi 8 "Wear this jewel for me, ’tis my picture": The Miniature in Shakespeare’s WorkCamilla Caporicci 9 The Charm of Decapitation: Medusa in Caravaggio and Measure for MeasureRocco Coronato 10 ‘Those foundations which I build upon’: Construction and Misconstruction in The Winter’s Tale Muriel Cunin 11 Shakespeare’s Genre PaintingsAnthony R. Guneratne 12 Verbal Painting by Means of Dance and PortraitsNecla ÇikigilPART III: REPRESENTING THE VISUAL ARTS13 Painting and Representing Gender in the Drama of Shakespeare and his Spanish ContemporariesJosé M. Gonzàlez 14 "Paint me in my gallery": Time, Perspective, and the Painter Addition to The Spanish TragedyTimothy A. Turner 15 Shakespearean Iconography: The Verbal-Visual Nexus to Serpents in Nineteenth-Century Illustrated EditionsSandra Pietrini 16 Wladyslaw Czachòrski – A Polish Painter with Italian Soul and Shakespearean Vision: "Hamlet Receiving the Players"Sabina Laskowska-Hinz 17 Julius Caesar: Shakespeare and the Ruins of RomeGraham Holderness Afterword:Beginnings and DeparturesStuart Sillars BibliographyIndex

Michele Marrapodi is Full Professor of English Language and Literature, and History of English Drama, in the Department of Scienze Umanistiche at the University of Palermo.

• CONTENTSList of FiguresNotes on ContributorsAcknowledgmentsIntroduction:Timon of Athens. The Theatre and the VisualMichele MarrapodiPART I: INTERMEDIALITY: VISUALITY AND DRAMA1 Shakespeare the EmblematistClaudia Corti2 Titus Andronicus and Renaissance Visual Culture: Contemporary Emblems of Hand and Ekphrasis Paromita Deb3 "All Adonises must die": Shakespeare’s Venus and Adonis and the Episodic ImaginaryPeter Latka4 Shakespeare’s Octavia and Cleopatra: Between Stasis and MovementOlivia Coulomb5 Both Goddess and Woman: Cleopatra and VenusHanna Scolnicov 6 Vanishing Points and Horizons of Audience Perception in Shakespeare’s Late Plays Claire T. Guéron PART II: SHAKESPEARE’S USE OF THE VISUAL7 "Pencill’d pensiveness and colour’d sorrow": Italian Visual Arts and Ekphrastic Tension in Othello, Cymbeline, and Lucrece Michele Marrapodi 8 "Wear this jewel for me, ’tis my picture": The Miniature in Shakespeare’s WorkCamilla Caporicci 9 The Charm of Decapitation: Medusa in Caravaggio and Measure for MeasureRocco Coronato 10 ‘Those foundations which I build upon’: Construction and Misconstruction in The Winter’s Tale Muriel Cunin 11 Shakespeare’s Genre PaintingsAnthony R. Guneratne 12 Verbal Painting by Means of Dance and PortraitsNecla ÇikigilPART III: REPRESENTING THE VISUAL ARTS13 Painting and Representing Gender in the Drama of Shakespeare and his Spanish ContemporariesJosé M. Gonzàlez 14 "Paint me in my gallery": Time, Perspective, and the Painter Addition to The Spanish TragedyTimothy A. Turner 15 Shakespearean Iconography: The Verbal-Visual Nexus to Serpents in Nineteenth-Century Illustrated EditionsSandra Pietrini 16 Wladyslaw Czachòrski – A Polish Painter with Italian Soul and Shakespearean Vision: "Hamlet Receiving the Players"Sabina Laskowska-Hinz 17 Julius Caesar: Shakespeare and the Ruins of RomeGraham Holderness Afterword:Beginnings and DeparturesStuart Sillars BibliographyIndex

Michele Marrapodi is Full Professor of English Language and Literature, and History of English Drama, in the Department of Scienze Umanistiche at the University of Palermo.

• CONTENTSList of FiguresNotes on ContributorsAcknowledgmentsIntroduction:Timon of Athens. The Theatre and the VisualMichele MarrapodiPART I: INTERMEDIALITY: VISUALITY AND DRAMA1 Shakespeare the EmblematistClaudia Corti2 Titus Andronicus and Renaissance Visual Culture: Contemporary Emblems of Hand and Ekphrasis Paromita Deb3 "All Adonises must die": Shakespeare’s Venus and Adonis and the Episodic ImaginaryPeter Latka4 Shakespeare’s Octavia and Cleopatra: Between Stasis and MovementOlivia Coulomb5 Both Goddess and Woman: Cleopatra and VenusHanna Scolnicov 6 Vanishing Points and Horizons of Audience Perception in Shakespeare’s Late Plays Claire T. Guéron PART II: SHAKESPEARE’S USE OF THE VISUAL7 "Pencill’d pensiveness and colour’d sorrow": Italian Visual Arts and Ekphrastic Tension in Othello, Cymbeline, and Lucrece Michele Marrapodi 8 "Wear this jewel for me, ’tis my picture": The Miniature in Shakespeare’s WorkCamilla Caporicci 9 The Charm of Decapitation: Medusa in Caravaggio and Measure for MeasureRocco Coronato 10 ‘Those foundations which I build upon’: Construction and Misconstruction in The Winter’s Tale Muriel Cunin 11 Shakespeare’s Genre PaintingsAnthony R. Guneratne 12 Verbal Painting by Means of Dance and PortraitsNecla ÇikigilPART III: REPRESENTING THE VISUAL ARTS13 Painting and Representing Gender in the Drama of Shakespeare and his Spanish ContemporariesJosé M. Gonzàlez 14 "Paint me in my gallery": Time, Perspective, and the Painter Addition to The Spanish TragedyTimothy A. Turner 15 Shakespearean Iconography: The Verbal-Visual Nexus to Serpents in Nineteenth-Century Illustrated EditionsSandra Pietrini 16 Wladyslaw Czachòrski – A Polish Painter with Italian Soul and Shakespearean Vision: "Hamlet Receiving the Players"Sabina Laskowska-Hinz 17 Julius Caesar: Shakespeare and the Ruins of RomeGraham Holderness Afterword:Beginnings and DeparturesStuart Sillars BibliographyIndex