Martin Esslin was the author of such ground-breaking classics as The Theatre of the Absurd and Brecht: A Choice of Evils, as well as The Field of Drama in which he focused on the semiology of drama. He joined the BBC in 1940 and was head of Drama (Radio) from 1963-1977. He published many collections of essays including Brief Chronicles: Essays on Modern Drama and Mediations: Essays on Brecht, Beckett and the Media. His critical articles used to appear regularly in Plays and Players, Encounters and many other periodicals. He was also a well-known translator of plays, particularly by German-speaking dramatists. He died in 2012.

Martin Esslin was the author of such ground-breaking classics as The Theatre of the Absurd and Brecht: A Choice of Evils, as well as The Field of Drama in which he focused on the semiology of drama. He joined the BBC in 1940 and was head of Drama (Radio) from 1963-1977. He published many collections of essays including Brief Chronicles: Essays on Modern Drama and Mediations: Essays on Brecht, Beckett and the Media. His critical articles used to appear regularly in Plays and Players, Encounters and many other periodicals. He was also a well-known translator of plays, particularly by German-speaking dramatists. He died in 2012.

Martin Esslin was the author of such ground-breaking classics as The Theatre of the Absurd and Brecht: A Choice of Evils, as well as The Field of Drama in which he focused on the semiology of drama. He joined the BBC in 1940 and was head of Drama (Radio) from 1963-1977. He published many collections of essays including Brief Chronicles: Essays on Modern Drama and Mediations: Essays on Brecht, Beckett and the Media. His critical articles used to appear regularly in Plays and Players, Encounters and many other periodicals. He was also a well-known translator of plays, particularly by German-speaking dramatists. He died in 2012.