This volume contains three of Strindberg's most famous plays, spanning twenty years of prodigious creativity and recurrent personal crises: The Father, which displays Strindberg's suspicion of women at its most implacable, 'powerful and profound' (Guy de Maupassant); Miss Julie (1888), which he called his masterpiece, and in which he presents with startling modernity the conflict between sexual passion and social position; and The Ghost Sonata (1907), written in physical pain and spiritual torment, which is a phantasmagoric dream play, 'a direct source for the Theatre of the Absurd' (Martin Esslin)."Michael Meyer is the translator most actors turn to when seeking a definitive text" (Sunday Times)
August Strindberg, the great Swedish dramatist and author, had a profound influence on European drama. His career was particularly marked by a desire to experiment with and redefine theatre. With roots in psychological naturalism, he was nevertheless fascinated by symbols, dreams and fantasies. His later plays anticipated and paved the way for surrealistic, expressionistic and absurdist theatre.
Emma Adbåge, Lisen Adbåge, Carl Jonas Love Almqvist, Bengt Cidden Andersson, Werner Aspenström, Kaj Beckman, Aase Berg, Bo Bergman, Erik Blomberg, Daniel Boyacioglu, Karin Boye, Tage Danielsson, Elmer Diktonius, Vilhelm Ekelund, Gunnar Ekelöf, Nils Ferlin, Tua Forsström, Gustaf Fröding, Brita af Geijerstam, Albert Teodor Gellerstedt, Hjalmar Gullberg, Britt G Hallqvist, Verner von Heidenstam, Lennart Hellsing, Ann Jäderlund, Erik Axel Karlfeldt, Thekla Knös, Israel Kolmodin, Pär Lagerkvist, Anna Maria Lenngren, Mecka Lind, Barbro Lindgren, Erik Lindorm, Hanna Lundström, Harry Martinsson, Mårten Melin, Jila Mossaed, Henry Parland, Anna Rydstedt, Gunnar Mascoll Silfverstolpe, Ingrid Sjöstrand, August Strindberg, Edith Södergran, Zacharias Topelius, Tomas Tranströmer, Siv Widerberg, Claes Bäckström, Maria Wine, Carl David af Wirsén, Sonja Åkesson, Bruno K Öijer, Anders Österling