The first collection of plays from one of Ireland's most accomplished contemporary writers This volume contains four plays: The Lament for Arthur Cleary: "Theatrically rich and socially powerful, it takes on the lineaments of an epic voyage, a voyage into the dark heart of a city where Irish theatre has seldom been before" (Irish Times); In High Germany: "Thoughtful, comic, sad and provocative, this monologue of a lost and altered heritage ...These two plays [In High Germany and The Holy Ground] are cogent manifestations of a changing Irish world" (Irish Times); The Holy Ground: "A tour de force. It's stream of consciousness theatre at its best ...[which] develops a pace until the listener is hanging on to every syllable" (Sunday Press); Blinded by the Light: "Manically madcap and hilariously funny, it canters in a bawdy romp onto the stage, heralding the arrival of a unique comic writing talent. Energetic, perfectly timed and brilliantly observed" (Irish Press)"A writer of frenetic energy and imagination." (Sunday Times)

The first collection of plays from one of Ireland's most accomplished contemporary writers This volume contains four plays: The Lament for Arthur Cleary: "Theatrically rich and socially powerful, it takes on the lineaments of an epic voyage, a voyage into the dark heart of a city where Irish theatre has seldom been before" (Irish Times); In High Germany: "Thoughtful, comic, sad and provocative, this monologue of a lost and altered heritage ...These two plays [In High Germany and The Holy Ground] are cogent manifestations of a changing Irish world" (Irish Times); The Holy Ground: "A tour de force. It's stream of consciousness theatre at its best ...[which] develops a pace until the listener is hanging on to every syllable" (Sunday Press); Blinded by the Light: "Manically madcap and hilariously funny, it canters in a bawdy romp onto the stage, heralding the arrival of a unique comic writing talent. Energetic, perfectly timed and brilliantly observed" (Irish Press)"A writer of frenetic energy and imagination." (Sunday Times)