Jonathan C. Friedman is Professor of History and Director of Holocaust and Genocide Studies at West Chester University.

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• INTRODUCTION PART ONE—HISTORICAL BEGINNINGS1. “The Nature and Impact of Musical Protest,” Allan Moore2. “Negro Spirituals of the 19th Century,” Burton Peretti3. “The First American Social Protest Musical Group: The Hutchinson Family Singers,” Scott Gac4. “Folk Music, Labor, Class, and Protest in the United States, 1900-1950,” Jerry Rodnitsky5. “Race, Gender, and Protest: African American Music, 1900-1970,” Felicia Miyakawa, PART TWO—WAR AND CIVIL RIGHTS6. “War and Musical Protest,” Robert Kodosky7. “Atomic Music,” Rob Weiner 8. “Civil Rights Anthems and Soul Music,”Jerry Smethurst, 9. “Beatles Utopia,” Walter EverettPART THREE—CONTEMPORARY SOCIAL PROTEST IN ROCK 10. “Societal Visions in Progressive Rock,” Carla Hochhauser11. “The Punk Revolution?,” Travis Jackson12. “From the Grateful Dead to Frank Zappa: Radical Protest in Rock,” Rob Weiner 13. “Gender and Social Protest in Contemporary Rock,” Marion Leonard14. “Women, Rap, and Hip-Hop,” Gail Hilson Woldu, 15. “Politics, War, and the Protest Song in the Era of Bono,” Reebee GarofaloPART FOUR—INTERNATIONAL PROTEST16. “Reggae’s Evolution from Protest to Mainstream,” Stephen A. King17. “Protest Music, Identity Politics, and Latin Pop,” T. M. Scruggs18. “Intervention Music in Gineau-Bissau in the 1990s,” Anne-Kristin Borszik, 19. “Music Indaba in Late Apartheid South Africa,” Ingrid Bianca Byerly 20. “Anti-Apartheid Music and the African National Congress,” Shirli Gilbert21. “Music of Protest from Palestine,” David MacDonald22. “Contemporary Protest Music in Asia,” Dennis ReaCONCLUSION

Jonathan C. Friedman is Professor of History and Director of Holocaust and Genocide Studies at West Chester University.

Select Guide Rating

• INTRODUCTION PART ONE—HISTORICAL BEGINNINGS1. “The Nature and Impact of Musical Protest,” Allan Moore2. “Negro Spirituals of the 19th Century,” Burton Peretti3. “The First American Social Protest Musical Group: The Hutchinson Family Singers,” Scott Gac4. “Folk Music, Labor, Class, and Protest in the United States, 1900-1950,” Jerry Rodnitsky5. “Race, Gender, and Protest: African American Music, 1900-1970,” Felicia Miyakawa, PART TWO—WAR AND CIVIL RIGHTS6. “War and Musical Protest,” Robert Kodosky7. “Atomic Music,” Rob Weiner 8. “Civil Rights Anthems and Soul Music,”Jerry Smethurst, 9. “Beatles Utopia,” Walter EverettPART THREE—CONTEMPORARY SOCIAL PROTEST IN ROCK 10. “Societal Visions in Progressive Rock,” Carla Hochhauser11. “The Punk Revolution?,” Travis Jackson12. “From the Grateful Dead to Frank Zappa: Radical Protest in Rock,” Rob Weiner 13. “Gender and Social Protest in Contemporary Rock,” Marion Leonard14. “Women, Rap, and Hip-Hop,” Gail Hilson Woldu, 15. “Politics, War, and the Protest Song in the Era of Bono,” Reebee GarofaloPART FOUR—INTERNATIONAL PROTEST16. “Reggae’s Evolution from Protest to Mainstream,” Stephen A. King17. “Protest Music, Identity Politics, and Latin Pop,” T. M. Scruggs18. “Intervention Music in Gineau-Bissau in the 1990s,” Anne-Kristin Borszik, 19. “Music Indaba in Late Apartheid South Africa,” Ingrid Bianca Byerly 20. “Anti-Apartheid Music and the African National Congress,” Shirli Gilbert21. “Music of Protest from Palestine,” David MacDonald22. “Contemporary Protest Music in Asia,” Dennis ReaCONCLUSION

Jonathan C. Friedman is Professor of History and Director of Holocaust and Genocide Studies at West Chester University.

Select Guide Rating

• INTRODUCTION PART ONE—HISTORICAL BEGINNINGS1. “The Nature and Impact of Musical Protest,” Allan Moore2. “Negro Spirituals of the 19th Century,” Burton Peretti3. “The First American Social Protest Musical Group: The Hutchinson Family Singers,” Scott Gac4. “Folk Music, Labor, Class, and Protest in the United States, 1900-1950,” Jerry Rodnitsky5. “Race, Gender, and Protest: African American Music, 1900-1970,” Felicia Miyakawa, PART TWO—WAR AND CIVIL RIGHTS6. “War and Musical Protest,” Robert Kodosky7. “Atomic Music,” Rob Weiner 8. “Civil Rights Anthems and Soul Music,”Jerry Smethurst, 9. “Beatles Utopia,” Walter EverettPART THREE—CONTEMPORARY SOCIAL PROTEST IN ROCK 10. “Societal Visions in Progressive Rock,” Carla Hochhauser11. “The Punk Revolution?,” Travis Jackson12. “From the Grateful Dead to Frank Zappa: Radical Protest in Rock,” Rob Weiner 13. “Gender and Social Protest in Contemporary Rock,” Marion Leonard14. “Women, Rap, and Hip-Hop,” Gail Hilson Woldu, 15. “Politics, War, and the Protest Song in the Era of Bono,” Reebee GarofaloPART FOUR—INTERNATIONAL PROTEST16. “Reggae’s Evolution from Protest to Mainstream,” Stephen A. King17. “Protest Music, Identity Politics, and Latin Pop,” T. M. Scruggs18. “Intervention Music in Gineau-Bissau in the 1990s,” Anne-Kristin Borszik, 19. “Music Indaba in Late Apartheid South Africa,” Ingrid Bianca Byerly 20. “Anti-Apartheid Music and the African National Congress,” Shirli Gilbert21. “Music of Protest from Palestine,” David MacDonald22. “Contemporary Protest Music in Asia,” Dennis ReaCONCLUSION