Glenn Adamson is Deputy Head of Research at the Victoria and Albert Museum, where he leads a graduate programme in the History of Design. He is co-editor of The Journal of Modern Craft, and author of Thinking Through Craft (2007) and The Craft Reader (2010).Giorgio Riello is Associate Professor in Global History and Culture at the University of Warwick, UK. He is the author of A Foot in the Past (2006) and has recently co-edited The Spinning World: A Global History of Cotton Textiles, 1200–1850 (2009) and The Fashion History Reader (2010).Sarah Teasley is Tutor in the History of Design and Liaison Tutor in Critical and Historical Studies at the Royal College of Art, UK. She is co-author of 20th Century Design History (2005), and a specialist in the history of design for mass production in modern Japan.

• Selected Contents: Preface Introduction: Towards Global Design History Sarah Teasley, Giorgio Riello, and Glenn Adamson 1. The Global Renaissance: Cross-Cultural Material Culture and the Creation of a Community of Taste Marta Ajmar-Wollheim and Luca Molà Response by Dana Leibsohn 2. Global Design in Jingdezhen: Local Production and Global Connections Anne Gerritsen Response by Beverly Lemire 3. Indian Cottons and European Fashion, 1400-1800 John Styles Response by Prasannan Parthasarathi 4. Import Substitution, Innovation and the Tea Ceremony in Fifteenth and Sixteenth-Century Japan Christine M. E. Guth Response by Maxine Berg 5. The Globalization of the Fashion City Christopher Breward Response by Simona Segre Reinach 6. Performing White South African Identity through International and Empire Exhibitions Dipti Bhagat Response by Angus Lockyer 7. ‘From the Far Corners’: Telephones, Globalization, and the Production of Locality in the 1920s Michael J. Golec Response by Anne Balsamo 8. The Globalization of the Deutscher Werkbund: Design Reform, Industrial Policy, and German Foreign Policy, 1907-1914 John Maciuika Response by Paul Betts 9. Where in the World is Design?: The Case of India, 1900-1945 Victor Margolin Response by Christopher Pinney 10. ‘Handmade Modernity’: A Case Study on Postwar Turkish Modern Furniture Design Gyökan Karakus Response by Edward S. Cooke, Jr. 11. Old Empire and New Global Luxury: Fashioning Global Design Peter McNeil Response by Shehnaz Suterwalla 12. Analyzing Social Networking Websites: The Design of Happy Network in China Basile Zimmermann Response by Ngai-Ling Sum 13. From Nation-bound Histories to Global Narratives of Architecture Jilly Traganou Response by Lucia Allais 14. e-Artisans: Contemporary Design for the Global Market Tom Barker and Ashley Hall Response by Shannon May Bibliography Resource Guide

Glenn Adamson is Deputy Head of Research at the Victoria and Albert Museum, where he leads a graduate programme in the History of Design. He is co-editor of The Journal of Modern Craft, and author of Thinking Through Craft (2007) and The Craft Reader (2010).Giorgio Riello is Associate Professor in Global History and Culture at the University of Warwick, UK. He is the author of A Foot in the Past (2006) and has recently co-edited The Spinning World: A Global History of Cotton Textiles, 1200–1850 (2009) and The Fashion History Reader (2010).Sarah Teasley is Tutor in the History of Design and Liaison Tutor in Critical and Historical Studies at the Royal College of Art, UK. She is co-author of 20th Century Design History (2005), and a specialist in the history of design for mass production in modern Japan.

• Selected Contents: Preface Introduction: Towards Global Design History Sarah Teasley, Giorgio Riello, and Glenn Adamson 1. The Global Renaissance: Cross-Cultural Material Culture and the Creation of a Community of Taste Marta Ajmar-Wollheim and Luca Molà Response by Dana Leibsohn 2. Global Design in Jingdezhen: Local Production and Global Connections Anne Gerritsen Response by Beverly Lemire 3. Indian Cottons and European Fashion, 1400-1800 John Styles Response by Prasannan Parthasarathi 4. Import Substitution, Innovation and the Tea Ceremony in Fifteenth and Sixteenth-Century Japan Christine M. E. Guth Response by Maxine Berg 5. The Globalization of the Fashion City Christopher Breward Response by Simona Segre Reinach 6. Performing White South African Identity through International and Empire Exhibitions Dipti Bhagat Response by Angus Lockyer 7. ‘From the Far Corners’: Telephones, Globalization, and the Production of Locality in the 1920s Michael J. Golec Response by Anne Balsamo 8. The Globalization of the Deutscher Werkbund: Design Reform, Industrial Policy, and German Foreign Policy, 1907-1914 John Maciuika Response by Paul Betts 9. Where in the World is Design?: The Case of India, 1900-1945 Victor Margolin Response by Christopher Pinney 10. ‘Handmade Modernity’: A Case Study on Postwar Turkish Modern Furniture Design Gyökan Karakus Response by Edward S. Cooke, Jr. 11. Old Empire and New Global Luxury: Fashioning Global Design Peter McNeil Response by Shehnaz Suterwalla 12. Analyzing Social Networking Websites: The Design of Happy Network in China Basile Zimmermann Response by Ngai-Ling Sum 13. From Nation-bound Histories to Global Narratives of Architecture Jilly Traganou Response by Lucia Allais 14. e-Artisans: Contemporary Design for the Global Market Tom Barker and Ashley Hall Response by Shannon May Bibliography Resource Guide

Glenn Adamson is Deputy Head of Research at the Victoria and Albert Museum, where he leads a graduate programme in the History of Design. He is co-editor of The Journal of Modern Craft, and author of Thinking Through Craft (2007) and The Craft Reader (2010).Giorgio Riello is Associate Professor in Global History and Culture at the University of Warwick, UK. He is the author of A Foot in the Past (2006) and has recently co-edited The Spinning World: A Global History of Cotton Textiles, 1200–1850 (2009) and The Fashion History Reader (2010).Sarah Teasley is Tutor in the History of Design and Liaison Tutor in Critical and Historical Studies at the Royal College of Art, UK. She is co-author of 20th Century Design History (2005), and a specialist in the history of design for mass production in modern Japan.

• Selected Contents: Preface Introduction: Towards Global Design History Sarah Teasley, Giorgio Riello, and Glenn Adamson 1. The Global Renaissance: Cross-Cultural Material Culture and the Creation of a Community of Taste Marta Ajmar-Wollheim and Luca Molà Response by Dana Leibsohn 2. Global Design in Jingdezhen: Local Production and Global Connections Anne Gerritsen Response by Beverly Lemire 3. Indian Cottons and European Fashion, 1400-1800 John Styles Response by Prasannan Parthasarathi 4. Import Substitution, Innovation and the Tea Ceremony in Fifteenth and Sixteenth-Century Japan Christine M. E. Guth Response by Maxine Berg 5. The Globalization of the Fashion City Christopher Breward Response by Simona Segre Reinach 6. Performing White South African Identity through International and Empire Exhibitions Dipti Bhagat Response by Angus Lockyer 7. ‘From the Far Corners’: Telephones, Globalization, and the Production of Locality in the 1920s Michael J. Golec Response by Anne Balsamo 8. The Globalization of the Deutscher Werkbund: Design Reform, Industrial Policy, and German Foreign Policy, 1907-1914 John Maciuika Response by Paul Betts 9. Where in the World is Design?: The Case of India, 1900-1945 Victor Margolin Response by Christopher Pinney 10. ‘Handmade Modernity’: A Case Study on Postwar Turkish Modern Furniture Design Gyökan Karakus Response by Edward S. Cooke, Jr. 11. Old Empire and New Global Luxury: Fashioning Global Design Peter McNeil Response by Shehnaz Suterwalla 12. Analyzing Social Networking Websites: The Design of Happy Network in China Basile Zimmermann Response by Ngai-Ling Sum 13. From Nation-bound Histories to Global Narratives of Architecture Jilly Traganou Response by Lucia Allais 14. e-Artisans: Contemporary Design for the Global Market Tom Barker and Ashley Hall Response by Shannon May Bibliography Resource Guide