Michael O’Toole is an emeritus professor of communication at Murdoch University, Perth. He was an early pioneer of audio-visual language teaching methodology and was commissioned by the BBC to write and broadcast two Russian courses for radio. He worked with the Australian ‘discourse analysis’ school led by Michael Halliday and helped to develop their work in the areas of literary stylistics, general semiotics, and art and aesthetics.

'Occasionally a book comes along which takes over your whole field of attention and resets the way you look at some aspect of experience. For me "The Language of Displayed Art" was one such book. It opened up the world of painting, architecture and sculpture, bringing out its dimensions and depth of meaning and adding significantly to my understanding- and therefore to my enjoyment- of familiar and not so familiar works of art.' M.A.K. Halliday, Emeritus Professor of Linguistics, University of Sydney, Australia 'My favourite bedtime reading beautifully restored and given a new lease of life... this new colour edition with supporting CD-ROM has at last given this timeless masterpiece of art criticism the limelight it has long deserved. A cultural treasure trove for new acquaintances, for old fans the return of a sorely-missed truly multimodal companion.' Anthony Baldry, University of Messina, Italy

• 1. Semiotics At Work 2. Bodily Perceptions: A Semiotics of Sculpture 3. A Semiotics of Architecture 4. Semiotics Across the Arts

Michael O’Toole is an emeritus professor of communication at Murdoch University, Perth. He was an early pioneer of audio-visual language teaching methodology and was commissioned by the BBC to write and broadcast two Russian courses for radio. He worked with the Australian ‘discourse analysis’ school led by Michael Halliday and helped to develop their work in the areas of literary stylistics, general semiotics, and art and aesthetics.

'Occasionally a book comes along which takes over your whole field of attention and resets the way you look at some aspect of experience. For me "The Language of Displayed Art" was one such book. It opened up the world of painting, architecture and sculpture, bringing out its dimensions and depth of meaning and adding significantly to my understanding- and therefore to my enjoyment- of familiar and not so familiar works of art.' M.A.K. Halliday, Emeritus Professor of Linguistics, University of Sydney, Australia 'My favourite bedtime reading beautifully restored and given a new lease of life... this new colour edition with supporting CD-ROM has at last given this timeless masterpiece of art criticism the limelight it has long deserved. A cultural treasure trove for new acquaintances, for old fans the return of a sorely-missed truly multimodal companion.' Anthony Baldry, University of Messina, Italy

• 1. Semiotics At Work 2. Bodily Perceptions: A Semiotics of Sculpture 3. A Semiotics of Architecture 4. Semiotics Across the Arts