James Elkins is E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism at the Art Institute of Chicago, and Head of History of Art at the University College Cork, Ireland. He is author of Pictures andTears, How to Use Your Eyes, and What Painting Is, and, most recently, The Strange Place of Religion inContemporary Art and Master Narratives and TheirDiscontents, all published by Routledge.

"Is Art History Global? should be read by anyone interested in the history of art as a discipline, and especially by anyone interested in its future. The question is asks is of fundamental importance." --caa.reviews

• Section 1. Introductory Essay  Section  2. Starting Points Notes on Art History in Latin America Andrea Giunta  The Modality of Spatial Categories Friedrich Teja Bach  Section 3. The Art Seminar Section  Section 4. Assessments  Section 5. Afterwords Globalizing Art History Shelly Errington

James Elkins is E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism at the Art Institute of Chicago, and Head of History of Art at the University College Cork, Ireland. He is author of Pictures andTears, How to Use Your Eyes, and What Painting Is, and, most recently, The Strange Place of Religion inContemporary Art and Master Narratives and TheirDiscontents, all published by Routledge.

"Is Art History Global? should be read by anyone interested in the history of art as a discipline, and especially by anyone interested in its future. The question is asks is of fundamental importance." --caa.reviews

• Section 1. Introductory Essay  Section  2. Starting Points Notes on Art History in Latin America Andrea Giunta  The Modality of Spatial Categories Friedrich Teja Bach  Section 3. The Art Seminar Section  Section 4. Assessments  Section 5. Afterwords Globalizing Art History Shelly Errington

James Elkins is E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism at the Art Institute of Chicago, and Head of History of Art at the University College Cork, Ireland. He is author of Pictures andTears, How to Use Your Eyes, and What Painting Is, and, most recently, The Strange Place of Religion inContemporary Art and Master Narratives and TheirDiscontents, all published by Routledge.

"Is Art History Global? should be read by anyone interested in the history of art as a discipline, and especially by anyone interested in its future. The question is asks is of fundamental importance." --caa.reviews

• Section 1. Introductory Essay  Section  2. Starting Points Notes on Art History in Latin America Andrea Giunta  The Modality of Spatial Categories Friedrich Teja Bach  Section 3. The Art Seminar Section  Section 4. Assessments  Section 5. Afterwords Globalizing Art History Shelly Errington