Edward Estlin Cummings (1894-1962), a native of Cambridge, Massachusetts, and a Harvard University graduate, is best known for his rejection of traditional poetic forms. As e. e. cummings, he conducted radical experiments with spelling, syntax, and punctuation that inspired a revolution in twentieth-century literary expression and excited the admiration and affection of poetry lovers of all ages. With his 1923 debut, Tulips & Chimneys, the 25-year-old poet rattled the conservative literary scene, directing his avant-garde approach to the traditional subjects of love, life, time, and beauty. His playful treatment of punctuation and language adds enduring zest to such popular and oft-anthologized poems as ""All in green went my love riding,"" ""in Just-,"" ""Tumbling-hair,"" ""O sweet spontaneous,"" ""Buffalo Bill's,"" and ""the Cambridge ladies who live in furnished souls."" This edition presents complete and textually accurate editions of Cummings's work, in keeping with the original manuscripts and the poet's intentions.

Edward Estlin Cummings (1894-1962), a native of Cambridge, Massachusetts, and a Harvard University graduate, is best known for his rejection of traditional poetic forms. As e. e. cummings, he conducted radical experiments with spelling, syntax, and punctuation that inspired a revolution in twentieth-century literary expression and excited the admiration and affection of poetry lovers of all ages. With his 1923 debut, Tulips & Chimneys, the 25-year-old poet rattled the conservative literary scene, directing his avant-garde approach to the traditional subjects of love, life, time, and beauty. His playful treatment of punctuation and language adds enduring zest to such popular and oft-anthologized poems as ""All in green went my love riding,"" ""in Just-,"" ""Tumbling-hair,"" ""O sweet spontaneous,"" ""Buffalo Bill's,"" and ""the Cambridge ladies who live in furnished souls."" This edition presents complete and textually accurate editions of Cummings's work, in keeping with the original manuscripts and the poet's intentions.