Song Loves the Masses

Herder on Music and Nationalism

AvJohann Gottfried Herder,Philip V. Bohlman

Inbunden, Engelska, 2017

Del i serien University of California Press

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Beskrivning

Distinguished ethnomusicologist Philip V. Bohlman compiles Johann Gottfried Herder's writings on music and nationalism, from his early volumes of Volkslieder through sacred song to the essays on aesthetics late in his life, shaping them as the book on music that Herder would have written had he gathered the many strands of his musical thought into a single publication. Framed by analytical chapters and extensive introductions to each translation, this book interprets Herder's musings on music to think through several major questions: What meaning did religion and religious thought have for Herder? Why do the nation and nationalism acquire musical dimensions at the confluence of aesthetics and religious thought? How did his aesthetic and musical thought come to transform the way Herder understood music and nationalism and their presence in global history? Bohlman uses the mode of translation to explore Herder's own interpretive practice as a translator of languages and cultures, providing today's readers with an elegantly narrated and exceptionally curated collection of essays on music by two major intellectuals.

Produktinformation

Utgivningsdatum:2017-01-31
Mått:152 x 229 x 25 mm
Vikt:590 g
Format:Inbunden
Språk:Engelska
Serie:University of California Press
Antal sidor:336
Förlag:University of California Press
ISBN:9780520234949
Översättare:Philip V. Bohlman

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Mer om författaren

Johann Gottfried Herder (1744-1803) was a theologian, philosopher, ethnographer, and historian of the late Enlightenment, whose writings on music have been widely influential during the two centuries since his death. Philip V. Bohlman is Ludwig Rosenberger Distinguished Service Professor of Music and the Humanities at the University of Chicago, where he is also Artistic Director of the ensemble-in-residence, The New Budapest Orpheum Society.

Innehållsförteckning

List of IllustrationsAcknowledgmentsNote on the TextNote on Translation and CommentaryPrologue: Again, HerderPART I. THE ONTOLOGY PROJECT1. Folk Song at the Beginnings of National History: Essay on Alte Volkslieder (1774)Translation from Alte Volkslieder / Ancient Folk Songs2. The Folk Song Project at the Confluence of Music and Nationalism: Essay on Volkslieder (1778/79) and Stimmen der Völker in Liedern (1807)Translation from Volkslieder and Stimmen der Völker in Liedern / Folk Songs and Voices of the People in SongAppendix A: Introduction to the Folk Song TextsAppendix B: Translation from the Folk Song Texts3. Singing the Sacred Body: Essay on Lieder der Liebe (1778)Translation from Lieder der Liebe: Die ältesten und schönsten aus Morgenlande / Songs of Love: The Oldest and Most Beautiful from the OrientPART II. THE HISTORY PROJECT4. The Nation and Its Fragments: Essay on “Briefwechsel u¨ber Ossian und die Lieder alter Völker” (1773)Translation from “Briefwechsel u¨ber Ossian und die Lieder alter Völker” / “Correspondence about Ossian and the Songs of Ancient Peoples”5. Songs of the Enlightenment Bard: Essay on “Homer und Ossian” (1794)Translation of “Homer und Ossian” / “Homer and Ossian” 6. Redemption through Sacred Song: Essay on Letter 46, Theologische Schriften (1780/81)Translation of Letter 46, Theologische Schriften / Theological WritingsPART III. THE NATION PROJECT7. The Shores of Modernity: Essay on “Wirkung der Dichtkunst auf die Sitten neuerer Zeiten” (1777)Translation from “Wirkung der Dichtkunst auf die Sitten neuerer Zeiten” / “The Influence of Poetry on the Customs of Modernity”8. The Epic as Nation: Essay on Herder’s Der Cid Translation from Der Cid / The Cid9. Music Transcendent and Sublime: Herder’s “Von Music” (1800)Translation of “Von Musik” / “On Music”Epilogue: Herder’s JourneyNotesBibliographyIndex