Charles Hiroshi Garrett is Assistant Professor of Musicology at the University of Michigan School of Music, Theatre and Dance. He is Editor in Chief of The Grove Dictionary of American Music, second edition.

"Essential." -- S. C. Pelkey Choice "Intriguing and provocative." -- Michael Quinn Classical Music Magazine

• List of Illustrations ix Acknowledgments xi Introduction 1 1. Charles Ives's Four Ragtime Dances and "True American Music" 17 2. Jelly Roll Morton and the Spanish Tinge 48 3. Louis Armstrong and the Great Migration 83 4. Chinatown, Whose Chinatown? Defining America's Borders with Musical Orientalism 121 5. Sounds of Paradise: Hawai'i and the American Musical Imagination 165 Conclusion: American Music at the Turn of a New Century 215 Notes 223 Bibliography 259 Index

Charles Hiroshi Garrett is Assistant Professor of Musicology at the University of Michigan School of Music, Theatre and Dance. He is Editor in Chief of The Grove Dictionary of American Music, second edition.

"Essential." -- S. C. Pelkey Choice "Intriguing and provocative." -- Michael Quinn Classical Music Magazine

• List of Illustrations ix Acknowledgments xi Introduction 1 1. Charles Ives's Four Ragtime Dances and "True American Music" 17 2. Jelly Roll Morton and the Spanish Tinge 48 3. Louis Armstrong and the Great Migration 83 4. Chinatown, Whose Chinatown? Defining America's Borders with Musical Orientalism 121 5. Sounds of Paradise: Hawai'i and the American Musical Imagination 165 Conclusion: American Music at the Turn of a New Century 215 Notes 223 Bibliography 259 Index

Charles Hiroshi Garrett is Assistant Professor of Musicology at the University of Michigan School of Music, Theatre and Dance. He is Editor in Chief of The Grove Dictionary of American Music, second edition.

"Essential." -- S. C. Pelkey Choice "Intriguing and provocative." -- Michael Quinn Classical Music Magazine

• List of Illustrations ix Acknowledgments xi Introduction 1 1. Charles Ives's Four Ragtime Dances and "True American Music" 17 2. Jelly Roll Morton and the Spanish Tinge 48 3. Louis Armstrong and the Great Migration 83 4. Chinatown, Whose Chinatown? Defining America's Borders with Musical Orientalism 121 5. Sounds of Paradise: Hawai'i and the American Musical Imagination 165 Conclusion: American Music at the Turn of a New Century 215 Notes 223 Bibliography 259 Index