Simon P. Keefe is Lecturer in Music at Queen's University, Belfast. He is the author of Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment (2001).

'For anyone interested in the composer's sublime music this collection must become essential reading.' Contemporary Review

• Introduction Simon P. Keefe; Chronology of Mozart's Life and Works Simon P. Keefe; Part I. Mozart in Context: 1. Mozart and Salzburg Cliff Eisen; 2. Mozart in Vienna Dorothea Link; 3. Mozart's compositional methods: writing for his singers Ian Woodfield; 4. Mozart and late eighteenth-century aesthetics David Schroeder; Part II. The Works: 5. The keyboard music W. Dean Sutcliffe; 6. The concertos in aesthetic and stylistic context Simon P. Keefe; 7. The orchestral music Simon P. Keefe; 8. Mozart's chamber music Cliff Eisen; 9. Mozart as a vocal composer Paul Corneilson; 10. The opere buffe Edmund J. Goehring; 11. Mozart and opera seria Julian Rushton; 12. Mozart's German operas David J. Buch; Part III. Reception: 13. Mozart in the nineteenth century John Daverio; 14. Mozart and the twentieth century Jan Smaczny; 15. The Evolution of Mozartian biography William Stafford; Part IV. Performance: 16. Mozart the performer Katalin Komlós; 17. Performance practice in the music of Mozart Robert D. Levin.

Simon P. Keefe is Lecturer in Music at Queen's University, Belfast. He is the author of Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment (2001).

'For anyone interested in the composer's sublime music this collection must become essential reading.' Contemporary Review

• Introduction Simon P. Keefe; Chronology of Mozart's Life and Works Simon P. Keefe; Part I. Mozart in Context: 1. Mozart and Salzburg Cliff Eisen; 2. Mozart in Vienna Dorothea Link; 3. Mozart's compositional methods: writing for his singers Ian Woodfield; 4. Mozart and late eighteenth-century aesthetics David Schroeder; Part II. The Works: 5. The keyboard music W. Dean Sutcliffe; 6. The concertos in aesthetic and stylistic context Simon P. Keefe; 7. The orchestral music Simon P. Keefe; 8. Mozart's chamber music Cliff Eisen; 9. Mozart as a vocal composer Paul Corneilson; 10. The opere buffe Edmund J. Goehring; 11. Mozart and opera seria Julian Rushton; 12. Mozart's German operas David J. Buch; Part III. Reception: 13. Mozart in the nineteenth century John Daverio; 14. Mozart and the twentieth century Jan Smaczny; 15. The Evolution of Mozartian biography William Stafford; Part IV. Performance: 16. Mozart the performer Katalin Komlós; 17. Performance practice in the music of Mozart Robert D. Levin.

Simon P. Keefe is Lecturer in Music at Queen's University, Belfast. He is the author of Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment (2001).

'For anyone interested in the composer's sublime music this collection must become essential reading.' Contemporary Review

• Introduction Simon P. Keefe; Chronology of Mozart's Life and Works Simon P. Keefe; Part I. Mozart in Context: 1. Mozart and Salzburg Cliff Eisen; 2. Mozart in Vienna Dorothea Link; 3. Mozart's compositional methods: writing for his singers Ian Woodfield; 4. Mozart and late eighteenth-century aesthetics David Schroeder; Part II. The Works: 5. The keyboard music W. Dean Sutcliffe; 6. The concertos in aesthetic and stylistic context Simon P. Keefe; 7. The orchestral music Simon P. Keefe; 8. Mozart's chamber music Cliff Eisen; 9. Mozart as a vocal composer Paul Corneilson; 10. The opere buffe Edmund J. Goehring; 11. Mozart and opera seria Julian Rushton; 12. Mozart's German operas David J. Buch; Part III. Reception: 13. Mozart in the nineteenth century John Daverio; 14. Mozart and the twentieth century Jan Smaczny; 15. The Evolution of Mozartian biography William Stafford; Part IV. Performance: 16. Mozart the performer Katalin Komlós; 17. Performance practice in the music of Mozart Robert D. Levin.