Shaun Richards is Professor of Irish Studies in the School of Humanities and Social Sciences at Staffordshire University. He is the author with Davis Cairns of Writing Ireland: Colonialism, Nationalism and Culture (1988) and has written numerous journal and book articles on Irish studies and Irish drama.

'Extensive in its breadth and including studies of the major playwrights and their most important works, this book offers an excellent introduction to a major dramatic and theatrical tradition.' Reference Reviews

• Notes on contributors; Chronology; 1. Plays of (ever) changing Ireland Shaun Richards; 2. Late nineteenth-century Irish theatre: before the Abbey - and beyond Stephen Watt; 3. The ideology of the Abbey theatre Adrian Frazier; 4. The theatre of William Butler Yeats Joep Leerssen; 5. Lady Gregory's Abbey theatre drama: Ireland real and ideal James Pethica; 6. J. M. Synge, 'national' drama and the post-Protestant imagination Mary C. King; 7. On the siting of doors and windows: aesthetics, ideology and Irish stage design Richard Allen Cave; 8. Oscar Wilde and the politics of style Neil Sammells; 9. George Bernard Shaw and Ireland Gearóid O'Flaherty; 10. Sean O'Casey's Dublin trilogy: disillusionment to delusion Ronan McDonald; 11. Ireland's 'exiled' woman playwrights: Teresa Deevy and Marina Carr Cathy Leeney; 12. Samuel Beckett and the counter-tradition John P. Harrington; 13. Brian Friel's sense of place Helen Lojek; 14. The Field Day Theatre Company Marilynn Richtarik; 15. Tom Murphy and the children of loss Nicholas Grene; 16. Reconstructing history in the Irish history play Claire Gleitman; 17. The Abbey theatre and the Irish state Lionel Pilkington; 18. Staging contemporary Ireland: heartsickness and hopes deferred Vic Merriman; 19. The revival revised Brian Singleton; Guide to further reading; Index.

Shaun Richards is Professor of Irish Studies in the School of Humanities and Social Sciences at Staffordshire University. He is the author with Davis Cairns of Writing Ireland: Colonialism, Nationalism and Culture (1988) and has written numerous journal and book articles on Irish studies and Irish drama.

'Extensive in its breadth and including studies of the major playwrights and their most important works, this book offers an excellent introduction to a major dramatic and theatrical tradition.' Reference Reviews

• Notes on contributors; Chronology; 1. Plays of (ever) changing Ireland Shaun Richards; 2. Late nineteenth-century Irish theatre: before the Abbey - and beyond Stephen Watt; 3. The ideology of the Abbey theatre Adrian Frazier; 4. The theatre of William Butler Yeats Joep Leerssen; 5. Lady Gregory's Abbey theatre drama: Ireland real and ideal James Pethica; 6. J. M. Synge, 'national' drama and the post-Protestant imagination Mary C. King; 7. On the siting of doors and windows: aesthetics, ideology and Irish stage design Richard Allen Cave; 8. Oscar Wilde and the politics of style Neil Sammells; 9. George Bernard Shaw and Ireland Gearóid O'Flaherty; 10. Sean O'Casey's Dublin trilogy: disillusionment to delusion Ronan McDonald; 11. Ireland's 'exiled' woman playwrights: Teresa Deevy and Marina Carr Cathy Leeney; 12. Samuel Beckett and the counter-tradition John P. Harrington; 13. Brian Friel's sense of place Helen Lojek; 14. The Field Day Theatre Company Marilynn Richtarik; 15. Tom Murphy and the children of loss Nicholas Grene; 16. Reconstructing history in the Irish history play Claire Gleitman; 17. The Abbey theatre and the Irish state Lionel Pilkington; 18. Staging contemporary Ireland: heartsickness and hopes deferred Vic Merriman; 19. The revival revised Brian Singleton; Guide to further reading; Index.

Shaun Richards is Professor of Irish Studies in the School of Humanities and Social Sciences at Staffordshire University. He is the author with Davis Cairns of Writing Ireland: Colonialism, Nationalism and Culture (1988) and has written numerous journal and book articles on Irish studies and Irish drama.

'Extensive in its breadth and including studies of the major playwrights and their most important works, this book offers an excellent introduction to a major dramatic and theatrical tradition.' Reference Reviews

• Notes on contributors; Chronology; 1. Plays of (ever) changing Ireland Shaun Richards; 2. Late nineteenth-century Irish theatre: before the Abbey - and beyond Stephen Watt; 3. The ideology of the Abbey theatre Adrian Frazier; 4. The theatre of William Butler Yeats Joep Leerssen; 5. Lady Gregory's Abbey theatre drama: Ireland real and ideal James Pethica; 6. J. M. Synge, 'national' drama and the post-Protestant imagination Mary C. King; 7. On the siting of doors and windows: aesthetics, ideology and Irish stage design Richard Allen Cave; 8. Oscar Wilde and the politics of style Neil Sammells; 9. George Bernard Shaw and Ireland Gearóid O'Flaherty; 10. Sean O'Casey's Dublin trilogy: disillusionment to delusion Ronan McDonald; 11. Ireland's 'exiled' woman playwrights: Teresa Deevy and Marina Carr Cathy Leeney; 12. Samuel Beckett and the counter-tradition John P. Harrington; 13. Brian Friel's sense of place Helen Lojek; 14. The Field Day Theatre Company Marilynn Richtarik; 15. Tom Murphy and the children of loss Nicholas Grene; 16. Reconstructing history in the Irish history play Claire Gleitman; 17. The Abbey theatre and the Irish state Lionel Pilkington; 18. Staging contemporary Ireland: heartsickness and hopes deferred Vic Merriman; 19. The revival revised Brian Singleton; Guide to further reading; Index.