John Butt is the Gardiner Professor of Music at the University of Glasgow, having previously been a lecturer in music at the University of Cambridge and Fellow of King's College. He is the author of Bach Interpretation (1990), Bach: Mass in B Minor (1991), Music Education and the Art of Performance in the German Baroque (1994) and editor of The Cambridge Companion to Bach (1997), all published by Cambridge University Press. He is also a highly acclaimed harpsichordist and organist and has recorded 10 CDs for Harmonia Mundi, France.

'Playing with History carries with it the strength of a seminal work.' Classical Music

• Preface; Acknowledgements; List of abbreviations; Part I. Historically Informed Performance in Music Criticism: 1. Joining the historical performance debate; Part II. Historically Informed Performance and the Implications for Work, Composer and Notation: 2. Historical performance and 'truth to the work': history and the subversion of Platonism; 3. Historical performance and 'truth to the composer': rehabilitating intention; 4. Negotiating between work, composer and performer: rewriting the story of notational progress; Part III. Historically Informed Performance within the Culture of the Late Twentieth Century: 5. Historical performance at the crossroads of modernism and postmodernism; 6. 'A reactionary wolf in countercultural sheep's clothing?' - historical performance, the heritage Industry and the politics of revival; Notes; Bibliography; Index.

1. 1/5

   Saknar struktur

   Boken är skriven på ett filosofiskt sätt. Det känns ungefär som om John Butt tänker högt. Butt är kunnig, men det saknas struktur och användbart innehåll i denna bok. Jag har läst andra böcker kring klassisk musik, som skrivits på ett oerhört strukturerat sätt, där varje sida varit värdefull. Den här boken blev därför en besvikelse.

   Jonas K

   20 juli 2015

John Butt is the Gardiner Professor of Music at the University of Glasgow, having previously been a lecturer in music at the University of Cambridge and Fellow of King's College. He is the author of Bach Interpretation (1990), Bach: Mass in B Minor (1991), Music Education and the Art of Performance in the German Baroque (1994) and editor of The Cambridge Companion to Bach (1997), all published by Cambridge University Press. He is also a highly acclaimed harpsichordist and organist and has recorded 10 CDs for Harmonia Mundi, France.

'Playing with History carries with it the strength of a seminal work.' Classical Music

• Preface; Acknowledgements; List of abbreviations; Part I. Historically Informed Performance in Music Criticism: 1. Joining the historical performance debate; Part II. Historically Informed Performance and the Implications for Work, Composer and Notation: 2. Historical performance and 'truth to the work': history and the subversion of Platonism; 3. Historical performance and 'truth to the composer': rehabilitating intention; 4. Negotiating between work, composer and performer: rewriting the story of notational progress; Part III. Historically Informed Performance within the Culture of the Late Twentieth Century: 5. Historical performance at the crossroads of modernism and postmodernism; 6. 'A reactionary wolf in countercultural sheep's clothing?' - historical performance, the heritage Industry and the politics of revival; Notes; Bibliography; Index.

1. 1/5

   Saknar struktur

   Boken är skriven på ett filosofiskt sätt. Det känns ungefär som om John Butt tänker högt. Butt är kunnig, men det saknas struktur och användbart innehåll i denna bok. Jag har läst andra böcker kring klassisk musik, som skrivits på ett oerhört strukturerat sätt, där varje sida varit värdefull. Den här boken blev därför en besvikelse.

   Jonas K

   20 juli 2015

John Butt is the Gardiner Professor of Music at the University of Glasgow, having previously been a lecturer in music at the University of Cambridge and Fellow of King's College. He is the author of Bach Interpretation (1990), Bach: Mass in B Minor (1991), Music Education and the Art of Performance in the German Baroque (1994) and editor of The Cambridge Companion to Bach (1997), all published by Cambridge University Press. He is also a highly acclaimed harpsichordist and organist and has recorded 10 CDs for Harmonia Mundi, France.

'Playing with History carries with it the strength of a seminal work.' Classical Music

• Preface; Acknowledgements; List of abbreviations; Part I. Historically Informed Performance in Music Criticism: 1. Joining the historical performance debate; Part II. Historically Informed Performance and the Implications for Work, Composer and Notation: 2. Historical performance and 'truth to the work': history and the subversion of Platonism; 3. Historical performance and 'truth to the composer': rehabilitating intention; 4. Negotiating between work, composer and performer: rewriting the story of notational progress; Part III. Historically Informed Performance within the Culture of the Late Twentieth Century: 5. Historical performance at the crossroads of modernism and postmodernism; 6. 'A reactionary wolf in countercultural sheep's clothing?' - historical performance, the heritage Industry and the politics of revival; Notes; Bibliography; Index.

1. 1/5

   Saknar struktur

   Boken är skriven på ett filosofiskt sätt. Det känns ungefär som om John Butt tänker högt. Butt är kunnig, men det saknas struktur och användbart innehåll i denna bok. Jag har läst andra böcker kring klassisk musik, som skrivits på ett oerhört strukturerat sätt, där varje sida varit värdefull. Den här boken blev därför en besvikelse.

   Jonas K

   20 juli 2015