Elizabeth Eger is a Research Fellow at the Eighteenth-Century Centre at Warwick University. She is the editor of the Selected Works of Elizabeth Montagu (1999) and a contributor to Women's Poetry in the Enlightenment (1999) and The Cambridge Guide to Women's Literature. Charlotte Grant is Fellow and Director of Studies in English at Jesus College, Cambridge. She writes and teaches in the area of Eighteenth Century Studies. Cliona O Gallchoir is a Lecturer in the department of English as University College Cork. She is co-editor with Susan Manly of Volume 9 of Novels and Selected Works of Maria Edgeworth. Penny Warbuton has worked as a book reviewer, archivist and university teacher. She is currently finalising her doctoral thesis Women Writing on Economics: Aesthetics, Writing and the Economy, 1760-1833

"Nuanced and expertly argued, this collection clearly makes an important contribution to the scholarship of separate spheres." Albion

• List of illustrators; List of contributors; Preface and acknowledgements; Introduction: women, writing and representation Elizabeth Eger, Charlotte Grant, Clíona Ó'Gallchoir and Penny Warburton; Part I. Women in the Public Eye: 1. Coffee-women, The Spectator and the public sphere in the early eighteenth century Markman Ellis; 2. Misses, murderesses and magdalens: women in the public eye Caroline Gonda; Part II. Consuming Arts: 3. The choice of Hercules: the polite arts and 'female excellence' in eighteenth-century London Charlotte Grant; 4. Representing culture: The Nine Living Muses of Great Britain (1779) Elizabeth Eger; 5. A moral purchase: femininity, commerce and abolition, 1788–1792 Kate Davies; Part III. Learned Ladies: From Bluestockings to Cosmopolitan Intellectuals: 6. Bluestocking feminism Gary Kelly; 7. Catharine Macaulay: history, republicanism and the public sphere Susan Wiseman; 8. Gender, nation and revolution: Maria Edgeworth and Stéphanie-Félicité de Genlis Clíona Ó Gallchoir; 9. Salons, Alps and Cordilleras: Helen Maria Williams, Alex von Humboldt and the discourse of Romantic travel Nigel Leask; Part IV. The Female Subject: 10. The most public sphere of all: the family Sylvana Tomaselli; 11. Theorising public opinion: Elizabeth Hamilton's model of self, sympathy and society Penny Warburton; 12. Intimate connections: scandalous memoirs and epistolary indiscretion Mary Jacobus; Bibliography; Index.

Elizabeth Eger is a Research Fellow at the Eighteenth-Century Centre at Warwick University. She is the editor of the Selected Works of Elizabeth Montagu (1999) and a contributor to Women's Poetry in the Enlightenment (1999) and The Cambridge Guide to Women's Literature. Charlotte Grant is Fellow and Director of Studies in English at Jesus College, Cambridge. She writes and teaches in the area of Eighteenth Century Studies. Cliona O Gallchoir is a Lecturer in the department of English as University College Cork. She is co-editor with Susan Manly of Volume 9 of Novels and Selected Works of Maria Edgeworth. Penny Warbuton has worked as a book reviewer, archivist and university teacher. She is currently finalising her doctoral thesis Women Writing on Economics: Aesthetics, Writing and the Economy, 1760-1833

"Nuanced and expertly argued, this collection clearly makes an important contribution to the scholarship of separate spheres." Albion

• List of illustrators; List of contributors; Preface and acknowledgements; Introduction: women, writing and representation Elizabeth Eger, Charlotte Grant, Clíona Ó'Gallchoir and Penny Warburton; Part I. Women in the Public Eye: 1. Coffee-women, The Spectator and the public sphere in the early eighteenth century Markman Ellis; 2. Misses, murderesses and magdalens: women in the public eye Caroline Gonda; Part II. Consuming Arts: 3. The choice of Hercules: the polite arts and 'female excellence' in eighteenth-century London Charlotte Grant; 4. Representing culture: The Nine Living Muses of Great Britain (1779) Elizabeth Eger; 5. A moral purchase: femininity, commerce and abolition, 1788–1792 Kate Davies; Part III. Learned Ladies: From Bluestockings to Cosmopolitan Intellectuals: 6. Bluestocking feminism Gary Kelly; 7. Catharine Macaulay: history, republicanism and the public sphere Susan Wiseman; 8. Gender, nation and revolution: Maria Edgeworth and Stéphanie-Félicité de Genlis Clíona Ó Gallchoir; 9. Salons, Alps and Cordilleras: Helen Maria Williams, Alex von Humboldt and the discourse of Romantic travel Nigel Leask; Part IV. The Female Subject: 10. The most public sphere of all: the family Sylvana Tomaselli; 11. Theorising public opinion: Elizabeth Hamilton's model of self, sympathy and society Penny Warburton; 12. Intimate connections: scandalous memoirs and epistolary indiscretion Mary Jacobus; Bibliography; Index.

Elizabeth Eger is a Research Fellow at the Eighteenth-Century Centre at Warwick University. She is the editor of the Selected Works of Elizabeth Montagu (1999) and a contributor to Women's Poetry in the Enlightenment (1999) and The Cambridge Guide to Women's Literature. Charlotte Grant is Fellow and Director of Studies in English at Jesus College, Cambridge. She writes and teaches in the area of Eighteenth Century Studies. Cliona O Gallchoir is a Lecturer in the department of English as University College Cork. She is co-editor with Susan Manly of Volume 9 of Novels and Selected Works of Maria Edgeworth. Penny Warbuton has worked as a book reviewer, archivist and university teacher. She is currently finalising her doctoral thesis Women Writing on Economics: Aesthetics, Writing and the Economy, 1760-1833

"Nuanced and expertly argued, this collection clearly makes an important contribution to the scholarship of separate spheres." Albion

• List of illustrators; List of contributors; Preface and acknowledgements; Introduction: women, writing and representation Elizabeth Eger, Charlotte Grant, Clíona Ó'Gallchoir and Penny Warburton; Part I. Women in the Public Eye: 1. Coffee-women, The Spectator and the public sphere in the early eighteenth century Markman Ellis; 2. Misses, murderesses and magdalens: women in the public eye Caroline Gonda; Part II. Consuming Arts: 3. The choice of Hercules: the polite arts and 'female excellence' in eighteenth-century London Charlotte Grant; 4. Representing culture: The Nine Living Muses of Great Britain (1779) Elizabeth Eger; 5. A moral purchase: femininity, commerce and abolition, 1788–1792 Kate Davies; Part III. Learned Ladies: From Bluestockings to Cosmopolitan Intellectuals: 6. Bluestocking feminism Gary Kelly; 7. Catharine Macaulay: history, republicanism and the public sphere Susan Wiseman; 8. Gender, nation and revolution: Maria Edgeworth and Stéphanie-Félicité de Genlis Clíona Ó Gallchoir; 9. Salons, Alps and Cordilleras: Helen Maria Williams, Alex von Humboldt and the discourse of Romantic travel Nigel Leask; Part IV. The Female Subject: 10. The most public sphere of all: the family Sylvana Tomaselli; 11. Theorising public opinion: Elizabeth Hamilton's model of self, sympathy and society Penny Warburton; 12. Intimate connections: scandalous memoirs and epistolary indiscretion Mary Jacobus; Bibliography; Index.