'Something quite new in criticism, illuminating the operations of Shakespeare's mind and the principles of his art as they have never been illuminated before. No student of Shakespeare or of the workings of imagination can afford to miss this entrancing book.' Edwin Muir, The Scotsman

• Acknowledgments; Preface; Part I. The Revelation of the Man: 1. The aim and method explained; 2. Shakespeare's Imagery compared with that of Marlowe and Bacon; 3. Imagery of Shakespeare and other dramatists compared; 4. The subject-matter of Shakespeare's images; 5. Shakespeare's senses; 6. Shakespeare's tastes and interests; 7. Shakespeare's tastes and interests (continued); 8. Evidence in the images of Shakespeare's thought; 9. Evidence in the image of Shakespeare's thought (continued); 10. Association of ideas; 11. Shakespeare the man; Part II. The Function of the Imagery as Background and Under-Tone in Shakespeare's Art: 12. Leading motives in the histories; 13. Leading motives in the comedies; 14. Leading motives in the romances; 15. Leading motives in the tragedies; Appendices; Index.