Kevin Gilmartin is Associate Professor of English Literature at the California Institute of Technology.

'the strengths of this book are the detailed and persuasive readings of liminal texts … all such 'expression' was a tribute to the radical culture which forced it into existence.' BARS Bulletin & Review

• Illustrations; Acknowledgements; List of abbreviations; Introduction: reconsidering counterrevolutionary expression; 1. In the theater of counterrevolution: Loyalist association and vernacular address; 2. 'Study to be quiet': Hannah More and counterrevolutionary moral reform; 3. Reviewing subversion: the function of criticism at the present crisis; 4. Subverting fictions: the counterrevolutionary form of the novel; 5. Southey, Coleridge, and the end of anti-Jacobinism in Britain; Notes; Bibliography; Index.

Kevin Gilmartin is Associate Professor of English Literature at the California Institute of Technology.

'the strengths of this book are the detailed and persuasive readings of liminal texts … all such 'expression' was a tribute to the radical culture which forced it into existence.' BARS Bulletin & Review

• Illustrations; Acknowledgements; List of abbreviations; Introduction: reconsidering counterrevolutionary expression; 1. In the theater of counterrevolution: Loyalist association and vernacular address; 2. 'Study to be quiet': Hannah More and counterrevolutionary moral reform; 3. Reviewing subversion: the function of criticism at the present crisis; 4. Subverting fictions: the counterrevolutionary form of the novel; 5. Southey, Coleridge, and the end of anti-Jacobinism in Britain; Notes; Bibliography; Index.

Kevin Gilmartin is Associate Professor of English Literature at the California Institute of Technology.

'the strengths of this book are the detailed and persuasive readings of liminal texts … all such 'expression' was a tribute to the radical culture which forced it into existence.' BARS Bulletin & Review

• Illustrations; Acknowledgements; List of abbreviations; Introduction: reconsidering counterrevolutionary expression; 1. In the theater of counterrevolution: Loyalist association and vernacular address; 2. 'Study to be quiet': Hannah More and counterrevolutionary moral reform; 3. Reviewing subversion: the function of criticism at the present crisis; 4. Subverting fictions: the counterrevolutionary form of the novel; 5. Southey, Coleridge, and the end of anti-Jacobinism in Britain; Notes; Bibliography; Index.