Simon P. Keefe is James Rossiter Hoyle Chair and Head of Music at the University of Sheffield. He is the author of Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment and Mozart's Viennese Instrumental Music: A Study of Stylistic Re-invention and has edited five volumes for Cambridge University Press: The Cambridge History of Eighteenth-Century Music, Mozart Studies, The Cambridge Mozart Encyclopedia (with Cliff Eisen), The Cambridge Companion to Mozart and The Cambridge Companion to the Concerto. He is also the author of more than forty scholarly articles and book chapters.

'It is astounding that Keefe opens up new ground in large areas … A far-reaching book … All in all, a first-class monograph, outstandingly produced and printed, which will be read cover to cover as well as used for reference.' Manfred Hermann Schmid, Mozart-Jahrbuch 2013

• Introduction: Mozart's Requiem in context; 1. The Requiem legend in the nineteenth and twentieth centuries; 2. Criticism and scholarship from 1800 to the present day; 3. The Requiem in performance; 4. Mozart's work on the Requiem: sounds and strategies; 5. After Mozart: the Requiem completion, 1791–2; 6. Modern completions of the Requiem; Epilogue: a Requiem for the future.

Simon P. Keefe is James Rossiter Hoyle Chair and Head of Music at the University of Sheffield. He is the author of Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment and Mozart's Viennese Instrumental Music: A Study of Stylistic Re-invention and has edited five volumes for Cambridge University Press: The Cambridge History of Eighteenth-Century Music, Mozart Studies, The Cambridge Mozart Encyclopedia (with Cliff Eisen), The Cambridge Companion to Mozart and The Cambridge Companion to the Concerto. He is also the author of more than forty scholarly articles and book chapters.

'It is astounding that Keefe opens up new ground in large areas … A far-reaching book … All in all, a first-class monograph, outstandingly produced and printed, which will be read cover to cover as well as used for reference.' Manfred Hermann Schmid, Mozart-Jahrbuch 2013

• Introduction: Mozart's Requiem in context; 1. The Requiem legend in the nineteenth and twentieth centuries; 2. Criticism and scholarship from 1800 to the present day; 3. The Requiem in performance; 4. Mozart's work on the Requiem: sounds and strategies; 5. After Mozart: the Requiem completion, 1791–2; 6. Modern completions of the Requiem; Epilogue: a Requiem for the future.

Simon P. Keefe is James Rossiter Hoyle Chair and Head of Music at the University of Sheffield. He is the author of Mozart's Piano Concertos: Dramatic Dialogue in the Age of Enlightenment and Mozart's Viennese Instrumental Music: A Study of Stylistic Re-invention and has edited five volumes for Cambridge University Press: The Cambridge History of Eighteenth-Century Music, Mozart Studies, The Cambridge Mozart Encyclopedia (with Cliff Eisen), The Cambridge Companion to Mozart and The Cambridge Companion to the Concerto. He is also the author of more than forty scholarly articles and book chapters.

'It is astounding that Keefe opens up new ground in large areas … A far-reaching book … All in all, a first-class monograph, outstandingly produced and printed, which will be read cover to cover as well as used for reference.' Manfred Hermann Schmid, Mozart-Jahrbuch 2013

• Introduction: Mozart's Requiem in context; 1. The Requiem legend in the nineteenth and twentieth centuries; 2. Criticism and scholarship from 1800 to the present day; 3. The Requiem in performance; 4. Mozart's work on the Requiem: sounds and strategies; 5. After Mozart: the Requiem completion, 1791–2; 6. Modern completions of the Requiem; Epilogue: a Requiem for the future.