The Franciscans and Art Patronage in Late Medieval Italy

Häftad, Engelska, 2011

609 kr

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Beskrivning

In this book, Louise Bourdua examines how Franciscan church decoration developed between 1250 and 1400. Focusing on three important churches - San Fermo Maggiore, Verona, San Lorenzo, Vicenza and Sant'Antonio, Padua - she argues that local Franciscan friars were more interested in their own conception of how artistic programs should work than merely following models for decoration issued from the mother church at Assisi. In addition, lay patrons also had considerable input into the decoration programs. These case studies serve as a multiform model of patronage, which is tested against other commissions of the Trecento.

Produktinformation

Utgivningsdatum:2011-03-28
Mått:179 x 255 x 13 mm
Vikt:610 g
Format:Häftad
Språk:Engelska
Antal sidor:256
Förlag:Cambridge University Press
ISBN:9780521281287

Utforska kategorier

Historia inom Historia och arkeologi

Mer om författaren

Louise Bourdua is an Associate Professor in the Department of the History of Art at the University of Warwick. She has contributed articles on aspects of Mendicant art and patronage to The Burlington Magazine and Papers of the British School at Rome, among other publications.

Recensioner i media

Reviews of the hardback: '… no one interested in the art of this period, or in patronage in all periods, can afford to ignore this fine and important book.' John Richards, Journal of the Scottish Society for Art History

Innehållsförteckning

1. The Franciscans, poverty, property and benefaction; 2. San Fermo Maggiore, Verona: a northern response to Assisi?; 3. San Lorenzo in Vicenza: the friars, the donor, the procurators and the artist; 4. Sant'Antonio in Padua.