'Inspired by post-colonial theory, Vincent Cheng's Joyce, Race and Empire argues the case for Joyce's subversion of predominant ideologies of race and ethnicity. The book locates itself as a corrective to a critical legacy that has focussed on Joyce's styles and away from the ideological discussions contained in the Joycean texts.' The Times Literary Supplement

• Foreword Derek Attridge; Preface; Acknowledgements; 1. Introduction; 2. Catching the conscience of a race; Part I. Dubliners: Colonialist Symptomatics: 3. Dubliners: the exoticized and Orientalised other; 4. The gratefully oppressed: Joyce's Dubliners; 5. Empire and patriarchy in The Dead; Part II. Ulysses: Imagining Selves and Nations: 6. Imagining selves; 7. Imagining nations; 8. Imagining futures: nations, narratives, selves; Part III. Finnegan's Wake: 9. White horse, dark horse: Joyce's allhorse of another color; 10. The general and the sepoy: imperialism and power in the Museyroom. 11. Conclusion.

'Inspired by post-colonial theory, Vincent Cheng's Joyce, Race and Empire argues the case for Joyce's subversion of predominant ideologies of race and ethnicity. The book locates itself as a corrective to a critical legacy that has focussed on Joyce's styles and away from the ideological discussions contained in the Joycean texts.' The Times Literary Supplement

• Foreword Derek Attridge; Preface; Acknowledgements; 1. Introduction; 2. Catching the conscience of a race; Part I. Dubliners: Colonialist Symptomatics: 3. Dubliners: the exoticized and Orientalised other; 4. The gratefully oppressed: Joyce's Dubliners; 5. Empire and patriarchy in The Dead; Part II. Ulysses: Imagining Selves and Nations: 6. Imagining selves; 7. Imagining nations; 8. Imagining futures: nations, narratives, selves; Part III. Finnegan's Wake: 9. White horse, dark horse: Joyce's allhorse of another color; 10. The general and the sepoy: imperialism and power in the Museyroom. 11. Conclusion.

'Inspired by post-colonial theory, Vincent Cheng's Joyce, Race and Empire argues the case for Joyce's subversion of predominant ideologies of race and ethnicity. The book locates itself as a corrective to a critical legacy that has focussed on Joyce's styles and away from the ideological discussions contained in the Joycean texts.' The Times Literary Supplement

• Foreword Derek Attridge; Preface; Acknowledgements; 1. Introduction; 2. Catching the conscience of a race; Part I. Dubliners: Colonialist Symptomatics: 3. Dubliners: the exoticized and Orientalised other; 4. The gratefully oppressed: Joyce's Dubliners; 5. Empire and patriarchy in The Dead; Part II. Ulysses: Imagining Selves and Nations: 6. Imagining selves; 7. Imagining nations; 8. Imagining futures: nations, narratives, selves; Part III. Finnegan's Wake: 9. White horse, dark horse: Joyce's allhorse of another color; 10. The general and the sepoy: imperialism and power in the Museyroom. 11. Conclusion.