Ulrika Maude is Senior Lecturer in Modernism and Twentieth-Century Literature at the University of Bristol. She has published widely on modernist literature and technology, medicine, science and theories of embodiment, and is co-editor of Beckett and Phenomenology (2009) and The Body and the Arts (2009). She is currently co-editing The Cambridge Companion to the Body in Literature and The Bloomsbury Companion to Modernist Literature, both forthcoming in 2015, and completing two monographs, on Beckett and medicine, and modernism and medical culture.

'By masterfully combining close readings of the works with relevant philosophical concepts, Maude has provided a compelling analysis of the topic and has challenged the reader to reconsider, from a different perspective, the relevance of bodily functions and of sensory impressions in Beckett. The book's strong merit, however, is to offer new compelling perspectives on the bodily nature of Beckett's work and its emphasis on the incarnate nature of subjectivity. It is a welcome contribution to Beckettian criticism and … provides fertile reflection on the interconnection of science and literature in Beckett's aesthetics.' Federico Sabatini, bsls.ac.uk/reviews

• Introduction; 1. The body of memory; 2. The place of vision; 3. Hearing Beckett; 4. Skin deep; 5. Come and go; 6. Seeing ghosts; Conclusion; Works cited; Index.

Ulrika Maude is Senior Lecturer in Modernism and Twentieth-Century Literature at the University of Bristol. She has published widely on modernist literature and technology, medicine, science and theories of embodiment, and is co-editor of Beckett and Phenomenology (2009) and The Body and the Arts (2009). She is currently co-editing The Cambridge Companion to the Body in Literature and The Bloomsbury Companion to Modernist Literature, both forthcoming in 2015, and completing two monographs, on Beckett and medicine, and modernism and medical culture.

'By masterfully combining close readings of the works with relevant philosophical concepts, Maude has provided a compelling analysis of the topic and has challenged the reader to reconsider, from a different perspective, the relevance of bodily functions and of sensory impressions in Beckett. The book's strong merit, however, is to offer new compelling perspectives on the bodily nature of Beckett's work and its emphasis on the incarnate nature of subjectivity. It is a welcome contribution to Beckettian criticism and … provides fertile reflection on the interconnection of science and literature in Beckett's aesthetics.' Federico Sabatini, bsls.ac.uk/reviews

• Introduction; 1. The body of memory; 2. The place of vision; 3. Hearing Beckett; 4. Skin deep; 5. Come and go; 6. Seeing ghosts; Conclusion; Works cited; Index.

Ulrika Maude is Senior Lecturer in Modernism and Twentieth-Century Literature at the University of Bristol. She has published widely on modernist literature and technology, medicine, science and theories of embodiment, and is co-editor of Beckett and Phenomenology (2009) and The Body and the Arts (2009). She is currently co-editing The Cambridge Companion to the Body in Literature and The Bloomsbury Companion to Modernist Literature, both forthcoming in 2015, and completing two monographs, on Beckett and medicine, and modernism and medical culture.

'By masterfully combining close readings of the works with relevant philosophical concepts, Maude has provided a compelling analysis of the topic and has challenged the reader to reconsider, from a different perspective, the relevance of bodily functions and of sensory impressions in Beckett. The book's strong merit, however, is to offer new compelling perspectives on the bodily nature of Beckett's work and its emphasis on the incarnate nature of subjectivity. It is a welcome contribution to Beckettian criticism and … provides fertile reflection on the interconnection of science and literature in Beckett's aesthetics.' Federico Sabatini, bsls.ac.uk/reviews

• Introduction; 1. The body of memory; 2. The place of vision; 3. Hearing Beckett; 4. Skin deep; 5. Come and go; 6. Seeing ghosts; Conclusion; Works cited; Index.